Showing posts with label workout. Show all posts
Showing posts with label workout. Show all posts
Saturday, September 19, 2015
Tools i Use, Episode 1: Notebooks App is Your Infinite Workout Log
Follow @mcphoo
Tweet
Notebooks APP for logging workouts. Are you looking for an awesome app to help you log your workouts? Maybe thinking you should be able to take use your phone or tablet at the gym - since you have at least a phone with you anyway?
Great idea.
And the humbly named "Notebooks App" makes it dead easy to log your workouts your way, including adding photos (want to track your gun show progress after all) and back up your data to whatever sync service you wish. What could be easier/better. The infinite logbook has arrived.
This is the first post in a series on “tools i use” for different aspects of personal performance. This first post is about the tool i use for logging my workouts. It’s called Notebooks (notebooksapp.com) and you can download it from the iTunes store or get the mac app OR - yes the PC version TOO (isn't that cool?) -from the developer site
There are several key attractors for me and the way i like to record workouts.
see how many of those slots get filled or reflect on what was happening in a month where there are fewer or more.
The syncing still strikes me as a kind of magic.
Notebooks app is the first universal and cross platform app i’ve encountered that has the rich variety of features, in an easy to access fashion, that makes workout logging both highly (re)usable and just a treat to keep.
If you found this review helpful, and you'd like to support this blog, you can use the following links: for US itunes store and
for uk store
Tweet Follow @begin2dig
Notebooks APP for logging workouts. Are you looking for an awesome app to help you log your workouts? Maybe thinking you should be able to take use your phone or tablet at the gym - since you have at least a phone with you anyway?Great idea.
And the humbly named "Notebooks App" makes it dead easy to log your workouts your way, including adding photos (want to track your gun show progress after all) and back up your data to whatever sync service you wish. What could be easier/better. The infinite logbook has arrived.
This is the first post in a series on “tools i use” for different aspects of personal performance. This first post is about the tool i use for logging my workouts. It’s called Notebooks (notebooksapp.com) and you can download it from the iTunes store or get the mac app OR - yes the PC version TOO (isn't that cool?) -from the developer site
There are several key attractors for me and the way i like to record workouts.
 | |
| ipad with external keyboard running Notebooks- fantastic for logging at home or in the gym - really. Adding photos - like this screen shot from iThlete Precision Pulse HRM is easy with yes the "add photo" button |
- Cross iOS.The app is available on iOS and Mac so for me, that’s cross device accessibility
- Network Storage. The device supports all sorts of remote storage and syncing like dropbox and iCloud - none of which i use. I use webdav: my own home-rolled data service - and the cool thing is that Notebooks supports this independent syncing solution. Though outside the scope of this post, let me just say if you have an old mac hanging around, it’s pretty straight ahead to set up a “webdav server” and set up your own networked/cloud/whatever storage. The main takeaway here is that Notebooks syncs to your server of choice, meaning that no matter what device you use to log your workout, your complete log is always with you.
There are a few more attributes for which i dig Notebooks for logging. - Notebooks and sub-notebooks How i set up my workouts is a big enclosing Year notebook called “workouts YEAR” and then sub notebooks per month. They stay ordered by giving them their number, e.g. “02-February WO"
- Each Workout is its own Page For every workout i add a new “formatted” page.
- TIMESTAMPS and Calendar Adds At the start of each workout i hit time stamp - to get the date and time in their. WIth the preference settings, these dates become links that when clicked on, put an Event into your calendar - fantastic - easy way to add workouts to “workout” calendar to see at a glance how consistent (or overdoing it) i’ve been.
- ADD PHOTOS At the end of each workout if i’m working with something like PP Heart Rate Monitor from iTHlete (another tool i use - and have used for years to get HRV r-r data), i can take a snap shot on the phone of the Chart from that workout, and add that to the Log page: how many times did my lifts go into the red? What is the estimated calorie load? it’s nice to have that visual. I can do likewise for scale data to see how it’s trending and interogate any possible links in fluctuations between that and say hours slept or meals (i like meal snap for MEAL not calorie tracking - another tool i use).
Photos are also great when traveling as a hotel gym may mean different than regular tools - a photo means i can quickly log what the set up was. Can take the photo with the iPad or iPhone directly into Notebooks App as well. Nice
taking pics at a hotel gym to remember what the set up was.
YOu'll note some other tools i use - on the road - travel with bands
These pics are then added to Notebooks in the Workbook log page. - SYNC i’ve mentioned this, but bares repeating: you can easily sync your data to a network service, and next time you’re at a different device, hit sync with that service and voila: your data is there.
 |
| iPhone iOS view of monthly workout books inside Annual workout book |
Notebooks makes logging workouts and reviewing workouts kinda fun.
It’s fun to see the pages in a book build up. There’s a max of 31 pages in a month book. IT’s fun tosee how many of those slots get filled or reflect on what was happening in a month where there are fewer or more.
The syncing still strikes me as a kind of magic.
Additions i’d like to see in Notebooks
There’s only a few things i’d love to see in notebooks for logging workouts to make the logs even more effective.- It’s own calendar view to show entry dates for a given notebook. This calendaring was a terrific feature of a now-unsupported app on iOS ipad called Max Journal.
I have a few years of logs in that one. Being able to glance a simple calendar image to see where there were entries was a great way to see consistency. I can imagine notebooks being able to set up calendars for various Notebooks - i have Clients notebooks and Workout notebooks for instance - being able to see some kind of date of entrey/calendar scrolling option perhaps like Max Journal would be grand.
How Max Journal incorporated calendar data for views - A single click timestamp option Right now timestamping is a two-step process. One of the things with myJournal is that you could hit “timestamp” and it just plopped one in - which was great for checking how long a set took today vs. last week. Or even how long the last set took vs the first. In notebooks, you have a bunch of types of timestamps you can choose, so it’s hit time stamp, then pick the one you’d like - a way to set a default that single clicks in fast would be awesome.
- Weather THis may be asking for one too many things but some logging / journaling apps are able to add location and weather. That would be just a nice option to add to an entry like timestamps. A macro or something to pop this in to be able to see oh ya it was cloudy all that week but my times on the bike went up. Wow, it seems 9C is a great place for me to work on X.
- Smart Notebooks it would be great to be able to create a kind of “smart notebook” that could pull together all my “upper body heavy” workouts - maybe that’s a tag - for the past month/six months, whenever just to see what’s happening or not, to be able to page through such a notebook quickly would be awesome. Fantastic if things like “saturday” became a smart notebook, or whatever - to gather practice trends. Afterall i might believe i’m killing it on saturdays: may turn out to be only once every month is saturday as intense as i think it is...
Notebooks app is the first universal and cross platform app i’ve encountered that has the rich variety of features, in an easy to access fashion, that makes workout logging both highly (re)usable and just a treat to keep.
Conclusion: Notebooks App to infinity - and beyond for Rich, Useful Workout Logging
Highly recommend exploring Notebooks App for your workout log - bet you’ll be using it for more than just your workouts, too. The great thing is: you can!If you found this review helpful, and you'd like to support this blog, you can use the following links: for US itunes store and
for uk store
Tweet Follow @begin2dig
PDF
Sunday, July 25, 2010
The Beautiful Swing: Franz Snideman on the kettlebell swing as a perfect move
Follow @mcphoo
Tweet
Wouldn't it be wild if there was one movement that gave us a full body workout? You know, went from feet to fingertips, could be used for endurance, speed, power or hypertrophy work, and was super time efficient to boot? Turns out there is (of course - the questions are a set up for that, but you'll forgive me). It's the kettlebell swing.
In the DVD Secrets of the Shoulder, functional movement screen guru Gray Cook refers to the Kettlebell Swing as "one of the best kept secrets" in training, featuring it as a shoulder strengthener. When asked by Geoff Neupert in his Senior/Master RKC kettlebell interview series summer 09 what single move he would take to a desert island, Master RKC and Denmark's Threat Modulation Coach Kenneth Jay said "the Swing." Not the snatch, not the bent press, not the Turkish Get Up, but perhaps the most deceptively simple move with a kettlebell there is: the Swing. Why?
The Swing Overview. The kettlebell swing in brief is a dynamic move that *swings* a kettlebell behind one from a deadlift position, then accelerates forward into a standing position via hip thrust forcing the kettlebell to swing up to about chest height, with arms extended. One then draws the kb back down and behind into dl position again. Rinse and repeat as it were.
Its dynamic movement really does hit pretty much everything - even the eyes and the balance system of the body. It requires good sensory-motor communication to stay well grounded, great hip work that means appropriate ankle and foot movement, too; excellent shoulder dynamics, which hits the neck and upper back movement, great grip, and overall coordination to make the movement flow.
The basic movement can be varied for speed, endurance, power or hypertrophy by changing the bell size and tempo.
Indeed, there are a lot of ugly, half baked swings on youtube, so one misses the sweetness and potency of this movement. Justice to this movement must be done. And so to that end, i've sought out the Beautiful Swing. RKC Team Leader Franz Snideman has a Beautiful Swing. It is a master class in form. Franz has been kind enough to share this swing, and some tips about it, gratis. But first, a bit about Gentleman Franz (and he is) of the RKC.
Franz Snideman - Context
Franz Snideman Talks and Walks the Beautiful Move
Thank you, Franz for your time and sharing all this. That's gold.
Franz and his partner RKC Team Leader Yoana Terán Snideman have a suite of great fitness dvds that include rope training, kb programming, fat loss and more. Yoana will have a great resource on kb's while pregnant, forthcoming. Their blogs are rich resources of more tips and techniques too, which you can access from the revolution fitness site.
Summing Up
The swing is a super full body exercise that can be used from conditioning to speed training. It's use in intervals work (on for a hard period/off for recovery) makes it great for fat burning work, too.
If you're new to KB's a great place to start is with Tsatsouline's Enter the Kettlebell book and DVD. Once you get swinging, Franz's super tips help refine that swing practice even further.
As Franz notes, though, best council, find a swing coach you trust and work with that person to help you find your beautiful swing. We just can't see ourselves. I was fortunate to have Franz look at my swing when we were at a cert together. It took about 10 seconds for him - literally - to cue my hip position to get more power into the hip drive. More efficient movement, better loading of muslces, better workout, faster progress.
It's so worth it. A session with a coach is a great present for someone you love, too (it's funny how we're willing to get good stuff for the ones we love but think it's too decadent to get it for ourselves, sometimes).
Also if you're really keen, doing the HKC one day KB cert is a great way to have a senior or master RKC work with you for a full day on the swing, tgu and goblet squat
But if nothing else, hope this interview demonstrates why the Swing is both such an elegant and potent move when well exectuted, and why owning it - different hands, weights, speeds - takes practice (and coaching). One move; constant variety, full on whole body health. What's not to like?
Update: Part II: more beautiful swings - Franz's pics for exemplary swing.
Related Posts
 |
| Franz Snideman starting the one arm swing |
The Swing Overview. The kettlebell swing in brief is a dynamic move that *swings* a kettlebell behind one from a deadlift position, then accelerates forward into a standing position via hip thrust forcing the kettlebell to swing up to about chest height, with arms extended. One then draws the kb back down and behind into dl position again. Rinse and repeat as it were.
 |
| Pavel Tsatsouline demonstrating the hike pass of the Swing from Enter the Kettlebell where the Swing is the cornerstone of the Program Minimum |
The basic movement can be varied for speed, endurance, power or hypertrophy by changing the bell size and tempo.
- Mike Mahler, for instance, years ago made much of how this simple move could be used for hypertrophy.
- The first english language peer reviewed journal article has shown how a simple swing routine in 10 minutes gives one more than standard circuit weight training for cardio work.
- Indeed, changing bell sizes during swing sets lets one do "hills" focusing on alternating speed with power and endurance in one workout.
- Moving from two hand to one handed variants works the thoracic spine and shoulder differently than the two handed for more joint angle
Indeed, there are a lot of ugly, half baked swings on youtube, so one misses the sweetness and potency of this movement. Justice to this movement must be done. And so to that end, i've sought out the Beautiful Swing. RKC Team Leader Franz Snideman has a Beautiful Swing. It is a master class in form. Franz has been kind enough to share this swing, and some tips about it, gratis. But first, a bit about Gentleman Franz (and he is) of the RKC.
 |
| Franz Snideman, Revolution Fitness, doing a snatch lunge. |
Franz, what are some of the attributes that make the kettlebell so powerfully attractive for you?
Well, the design of the kettlebell is the powerful aspect. The offset handle which allows you to swing the kettlebell between the leg makes it unique. I've tried swinging dumbbells and it just feels awful. Don't do it! Barbells? Forget it....you cannot swing a barbell between your legs. Kettlebells win hands down in that department.
I would also say that because of the round circular structure it allows me to training my shoulders through a great range of motion which intuitively feels so much healthier for my neck, shoulders and upper spine.
One of the biggest reason I use kettlebells is because I can eccentrically load my hip extensor muscles (Glutes, Hamstring, Lumbar Erectors and some of the adductor muscles) with more force than I could do with any other tool.
The concept of virtual force comes to mind. You can assist gravity by actively “throwing or hiking” the kettlebell in back of you. What does this mean for me athletically? It means that my muscles are absorbing a tremendous amount of eccentric force which makes me stronger and more resilient. If athletes are getting hamstring injuries I would say they need more eccentric strength in their hamstrings and glutes. I have noticed little to ZERO hamstring injuries anymore in my sprinting with the addition of hardstyle swings into my training.
When you are training, where does the KB fit into your training regimine?
Great question. This actually varies from program to program. Right now I am doing Master RKC Geoff Neupert's Kettlebell Burn program which places the swings at the end of every training session. So at the moment I am using swings as interval/fat loss tool for 10 minutes three times per week. But I have had programs where my swings were first in the workout, especially if I am using a heavier kettlebell (32kg and up).
I think for newbies to kettlebell training perhaps swings should be the emphasis in their training program, at least for the first year or so.
Right. The swing after all is the foundation of Enter the Kettlebell's Program Minimum. That and the Turkish Get Up and that's it. WIth respect to training kbs with others, is there a *kind* of training you do typically with your clients? If so, what are a few attributes you'd use to characterize it in terms of speed strength, power strength, endurance strength?
My clients range from executive golfer types who want to function and feel better while golfing, mothers wanting to get lean, high school athletes, runners, RKC's, massage therapists, grandmothers, grandfathers and pregnant women. I have a very wide range of clients. Regardless of the age, and the goal of the client,I always like to emphasize the following attributes:
- Movement Quality. Can they move well and with grace. This includes a lot of postural training and coaching throughout all movement.
- Correct Asymmetries. Perhaps the client has severe flexibility issues on one side of their bodies but not the other side.
- Full Body Strength: Teaching the person how to maximize the concepts of full body tension and relaxation. Basically getting people's brains to talk better to their muscles. For many women this means teaching them to pick much heavier objects than they are used to lifting.
- Power: the ability to apply strength quickly. This is the ultimate goal. Get people powerful and fast. Real life situations and sports usually occur and very fast speeds and we do our clients a huge disservice if they cannot use their bodies in a powerful, graceful and coordinated manner. The Hardstyle Swing and Snatch definitely come to mind here. I can't think of too many exercises that would improve power more than the swing and the snatch.
Quick Aside, you and your bro are both trainers. How the heck did that happen?
My twin brother Keats Snideman (RKC, CSCS, LMT) and I took an early fascination to sports and sport training. We knew at a very young age that we wanted to work in athletics and health. And I think because we are twins we naturally gravitate toward the same things. It's actually really cool to have you twin brother in the same profession. Not too hard to imagine what we talk about when we are together.
My goodness. Well, on another trait, you are also a speed demon. How has that manifested itself in your life, and where do see that fitting into anyone's training practice?
Speed Demon?Yes, i had the honor of your towing me for sprints at the first ck-fms, you may recall. That was so awesome - i don't think i've ever moved so fast.
Wow, thanks! I have been known to blaze the 100 meter dash in a decent time, but certainly not like Usain Bolt! Well, coming from a sprinting background I am very biased toward more anaerobic type training. This includes a heavy emphasis on lower reps for strength training and power training.
The emphasis for me has always been on quality and SPEED rather than quantity. I would rather get someone really fast at 20 or 30 meters before I ever let them sprint 100 meters. Why let someone condition their body to sprint slowly? If they have no speed to endure, why bother.
Getting people to learn how to explosively contract their muscles is not easy. However, by focusing on moving faster and better the central nervous system begins to get the idea that it needs to communicate with the fast twitch muscle fibers. I can't think of a better tool than the KB to assist in this process and the HARDSTYLE KB technique is based on power production which is why it is THE WAY to go for getting people faster and more powerful.
Franz Snideman Talks and Walks the Beautiful Move
Ok now for the main feature. Here, Franz and i chat about the Hardstyle (HS) swing. Styles of swing, folks in the RKC community have said, are not unlike styles of martial arts. Hardstyle is what the technique lead by Pavel Tsatsouline in the RKC has come to be known as in the West.
I'm not sure if it's you're favorite move, but it's a beautiful move the way you do it. So let's talk a wee moment about the swing.
I'm not sure if it's you're favorite move, but it's a beautiful move the way you do it. So let's talk a wee moment about the swing.
The swing is definitely one of my favorites, right up there with the kettlebell Snatch. There are so many details to great swing technique that we could in no way cover all of the aspects in this interview. But, let's give it a shot and at least lay down some of the fundamentals and basic instructions for a powerful and graceful swing.
Franz demonstrating the swing, view 1
The first thing one needs to understand about the hardstyle kettlebell swing is that hardstyle does not mean “ugly style.”
I think there is a great misconception about the RKC style of kettlebells in the fitness industry that you have to look tense in the face and look like some bad ass MMA fighter to properly do a swing. That is not correct. Learning the RKC style of swing is not about trying to TENSE your body as much as possible. It is all about learning when and how much tension to apply during the swing. This of course is a SKILL and requires a tremendous amount of practice, coaching and correction. It will not be mastered in one day, or one year.
Franz demonstrating the swing, view 2
I am still working on my swing and I started using Kettlebells in 2002. Think of learning the swing similar to learning a martial art. Over time you learn how to take off the parking brakes and express more power. A good hardstyle swing will look quick and powerful, but it will also look smooth, crisp, graceful and beautiful.
Okay, so here is list of what to focus on during the HS swing:
- Your stance. The stance must be wide enough to allow the KB to swing through the legs. Not too wide, not too narrow. It should feel like a very athletic position for you.
- Structure and posture. It is almost impossible to coach muscle activation so therefore we teach structure and position. If you can teach someone to get into the right position you will not have to coach muscle recruitment, the muscles will naturally do what they need to do. The hard part is getting people into the proper position, that is the biggest challenge. What is the proper structure and position to get into? You must hinge at the hips and push the hips in back of you (almost like you were trying to touch a wall 2 feet in back of you). As you hinge at the hips your shoulder will come forward which means your torso will be at a 45 degree angle (at least..and sometime more).
- The spine remains straight but not upright (look at video).
- The neck position will remain as neutral as possible in the swing. There will be some extension in the bottom position of the swing but certainly not excessive.
- There will be an “active Hike Pass” in the bottom position of swing. This means you will be using your LATS a lot. Hand will be loose but the lats will be fully engaged.
- The Hips. Once the hips are eccentrically loaded then you just stand up and extend the hips. If you loaded up the hip by throwing the kettlebell in back of you, standing up will be much easier and powerful.
Great check list, Franz. Tell me some of the things that make the hardstyle kb swing important to you for your own training, and for anyone's practice?
Number one is focused effort. Few exercises allow you to focus on redirecting the scattered energies of the body and channeling them into full body hip power. One of the main reasons I (and all of us) should practice the HS Swings is to learn how to groove a very powerful hip extension. Almost all sports require a powerful hip extension to sprint, jump, twist and cut. All sporting movements will benefit from kettlebell swings.
What are the elements of a Beautiful Swing?
Great posture throughout the entire swing [please see 4 elements of efficiency for more on this point- mc]. A tall, yet relaxed neck and face. The Arms should be glued to the ribcage. The KB should be actively hiked through the legs close to the groin. The Hip “Pop” should occur first which allows the KB to literally float in the air for a brief moment. The most important aspect is that the swings looks rhythmical and smooth, yet powerful. To quote Master RKC Brett Jones, Hardstyle does not mean UGLY STYLE. Be powerful in the swing but not to the point that it looks like you are about to have a heart attack. Most of the energy is generated from the hips and core. Your face and neck are not your core.
Your swing fascinates me: it goes so fast from the bottom and hangs at the top, and then it's fast at the bottom - most of us swing with what looks like a very even back and forth, but you have this lovely double tempo.
Thanks MC! I think it's my sprinting background in which I am trying to achieve speed and that is why I go faster at the bottom. If I focus on the quick down swing it is actually easier for me to explode my hips and project the bell forward.
The secret for me is to load my hips at the last second. That means let the KB drop and then once it reaches my stomach/bladder area I quickly bend at the hips and let the lats drive the Kettlebell in back of me. It helps to wait a bit and let the bell drop and bend at the last minute. This creates more speed and power and this means more loading for the hip extensors. The secret for this tempo of swing is to first learn how to actively hike the KB in back of you and then immediately extend the hips and stand up tall.
What are your tips to achieve this swing tempo?
First is learn how to achieve the bottom position of the swing. Hips back and high in the air with minimal knee bend. Not straight legged at all but you do not want to turn the swing into a squat. You must learn to hinge from the hips and then the knees will contribute as much movement as they need to. From their I would practice hiking the KB in back of you and trying to get your arms to touch your thighs. Many people only get the hands in back of them, this is mistake. To get maximal loading you need your arms to reach way in back of you.
Besides yourself, who has a beautiful swing and what do you think contributes to that sense of it as a beautiful movement when you see *them* do it?
This is a tough question because there are so many RKC's that have great swings. I couldn't mention them all here. The following RKC's come to mind right now:
Master RKC Brett Jones
RKC TL Jason Marshall
RKC TL Keira Newton
RKC TL Delanie Ross
RKC TL Dustin Rippitoe
RKC TL Dennis Frisch
(list of links here for the above trainers)
(Update Aug '10- part II - see each of the above RKC's swing the kettle)
I have seen their swings and they are very powerful and graceful swings. Watching these instructors swing would definitely give all of us some good visual examples of what a good swing looks like.
What would you caution folks new to the kettlebell to consider before picking up that first kb to do that first swing?
I would encourage people that they need get some private instruction by the best RKC they can find. Nothing beats hands on training and learning. This is the best solution if people want to learn correct kettlebell technique.
Ok what *is* your fave kb movement and what are a few things about that movement that make it special to franz?
I personally like the Kettlebell Snatch to Lunge [shown above -mc]. You basically perform a explosive snatch and then immediately drop into a deep lunge. The drop is quick and the bell is almost weightless at the halfway point. I'll have to send you a video on this because a video would do much more justice than me explaining it.And now Franz, please say anything at all that you'd like to about KB's about, the swing, about training, and especially about why you'd get one with a kb as your tool of choice - for whom? why? or anything else you'd like.
I would recommend people to take up kettlebell training for the following reasons:
- The basic kettlebell movements strengthen all the muscles of the body in a harmonious fashion. This means more metabolic burn (potential fat loss). It also means that your body actually functions at a high level which is very important.
- Improves full body power and strength
- Improve mobility
- Cost effective / Time efficient training. Get more results off of less work
- Doesn't take up much space
- Easy to travel with
- Very versatile. There are hundreds of variations of the basic exercises that one can perform
- Delivers results quickly
Thank you, Franz for your time and sharing all this. That's gold. Franz and his partner RKC Team Leader Yoana Terán Snideman have a suite of great fitness dvds that include rope training, kb programming, fat loss and more. Yoana will have a great resource on kb's while pregnant, forthcoming. Their blogs are rich resources of more tips and techniques too, which you can access from the revolution fitness site.
Summing Up
If you're new to KB's a great place to start is with Tsatsouline's Enter the Kettlebell book and DVD. Once you get swinging, Franz's super tips help refine that swing practice even further.
As Franz notes, though, best council, find a swing coach you trust and work with that person to help you find your beautiful swing. We just can't see ourselves. I was fortunate to have Franz look at my swing when we were at a cert together. It took about 10 seconds for him - literally - to cue my hip position to get more power into the hip drive. More efficient movement, better loading of muslces, better workout, faster progress.
It's so worth it. A session with a coach is a great present for someone you love, too (it's funny how we're willing to get good stuff for the ones we love but think it's too decadent to get it for ourselves, sometimes).
Also if you're really keen, doing the HKC one day KB cert is a great way to have a senior or master RKC work with you for a full day on the swing, tgu and goblet squat
detailed overview of an HKC here
But if nothing else, hope this interview demonstrates why the Swing is both such an elegant and potent move when well exectuted, and why owning it - different hands, weights, speeds - takes practice (and coaching). One move; constant variety, full on whole body health. What's not to like?
begin2dig (b2d) on Facebook
Update: Part II: more beautiful swings - Franz's pics for exemplary swing.
Related Posts
- Andrea Du Cane on Kettlebell Training
- Kenneth Jay on Viking Warrior Conditioning
- Dan John on the KB Press
- b2d KB Article Index
- Perfect Rep Quest series
- Full Muscle Firing for better strength and form.
Monday, August 17, 2009
Lance Armstrong Training: almost with a kettlebell
Follow @mcphoo
Tweet
Well, the image in men's fitness made famous of Lance Armstrong swinging a kettlebell may not have been repeated elsewhere, but one could believe he does swing, based on the following workout sample on youtube.
It starts with dynamic movement of weight - sorta like a swing.
Solid: weighted step ups, stable rows (i like rows:details here), and my faves in this example, weighted adductor lunges, starting everything off with these nice effortful hang cleans.
There's a kb hiding in a corner somewhere.
Tweet
Follow @begin2dig
Well, the image in men's fitness made famous of Lance Armstrong swinging a kettlebell may not have been repeated elsewhere, but one could believe he does swing, based on the following workout sample on youtube.It starts with dynamic movement of weight - sorta like a swing.
Solid: weighted step ups, stable rows (i like rows:details here), and my faves in this example, weighted adductor lunges, starting everything off with these nice effortful hang cleans.
There's a kb hiding in a corner somewhere.
Tweet
Follow @begin2dig
Sunday, May 31, 2009
Renegade Row: dynamic strength and balance
Follow @mcphoo
Tweet
An exercise complex that has recently become a favorite of mine is the renegade row (with push up).
Why? Rows in general are great upper body workouts. Stuart McGill has recently done an article on rows comparing inverted, standing bent over and one arm cable rows for back activation patterns. They are powerful core workouts.
The renegade row is likely closest to the standing bent over row with a few differences - a biggie being balance/control of the weight.
The renegade row, is shown above with Power Blocks. For added strength/stability challenge, put your feet only shoulder width apart, and get out a couple of kettlebells. Why kb's? It takes a bit of extra coordination (ie muscles firing) to keep them steady. That means you're adding a wee bit of balance to the workload.
mc's Renegade Row Sequence
Just to review, here's how i do a renegade row sequence - it may vary from yours.
Pull Part
Push Part:
Now, other variants of this row are, pull left, push up, pull right. Personally, i find it more effective to focus on the pulls, L/R and then the pushes. Your mileage may vary.
Sequencing:
I like to EDT the renegade rows into a set with some lower body work. Somedays its goblet squats, or double KB front squats, or romanian single leg dl's or yesterday it was double kb single leg deadlifts for the lower body work. EDT means going for max sets of each pattern within 15 mins, using a 10RM weight going for only five reps.
Muscles Worked: why i love this excersise.
I love how this sequence makes me feel for the next few days:
A bit of Stability; A bit of Form; a bit of kalos sthenos (beautiful movement)
I also like the momentary loaded, dynamic balance / strength aspect of
Mr. mahler, pictured above, has his feet nice and close - shoulder width at most. He seems, however, to be torquing to the side here. I'd suggest stay more in the level plank and get the hand right up to the waist. You'll note the guy in the vid at the top of this story above doesn't torque but his feet are quite spread.
Get both these parts together and you'll be very pleased with yourself. For instance, take a look at this version: nice level trunk; feet only shoulder width apart; neutral neck position; no torquing on the up.
Now some folks what don't know better may say these are "sissy weights" pirctured, but they may want to reserve that appellation if they can't hold this form with their KB of choice themselves.
As you can see if you have given this sequence a go, it's not easy to get in this kind of dynamic upper body/trunk work, and the RR is way cool.
Practice staying tight (as pavel might say) in the core. You may want to practice doing planks first, or getting used to balancing in form on the bells and just bringing your hand up to your side while maintaining your plank form while one side is off the bell.
Challenging form: balance
I mention that we're working to hold balance when using the KB's rather than the very stable powerblocks. And for me that little bit of stabilization required is just right: not too much instability. What do i mean by "too much"?
Some times you'll see folks using medballs for their pushups - i'm not crazy for that much of a stability challenge - i personally don't test stronger after that; with kb's i do.
By "test stronger" - i mean something zhealth teaches: if you're wondering if a particular
form of an exercise is working for you, do a muscle test (you may need a partner for this) before the test; do the excercise; retest. If you're weaker, there may have been something saying to your nervous system that's not a happy thing.
Ok. what's a muscle test, since there are different ways this term is used. Here, it's pretty straight ahead: it's simply a test to see if your muscles are functioning properly. If you hold your arm up, and your wrist out in extension, i shouldn't readily be able to pull your hand down if everything is firing properly.
Another good example - testing hamstring strength: all's well, you standing with your hands on the wall, looking straight ahead, bent knee, i should have some good resistance pushing down on your calf. Indeed i shouldn't really be able to press a big guy's leg to the ground (as per me here, pushing on Kenneth Jay's calf as Mike Cheatham kindly plays "the wall" for this muscle test at the Denmark09 RKC). I've written before about this kind of thing with the arthrokinetic reflex.
So once you do this test, you may find that you test a little more weakly (muscle is overcome) in a test than before doing pushups on wobbly surface. This is going to get onto a whole jag about instability training, but why jump on a wobbly surface if, say, we have trouble keeping balance with one foot off the ground and we then turn our head sharply? give it a go - how'd you do? Try a few other sports positions and then turn your head (as you might in real life or in a sport); try them with your eyes closed and a good head turn.
Here's a great one: one foot in front of the other, toe touching heel. Stable, or surfer dude? Now close your eyes. More stable or more surfer?
That's our proprioceptive system working really hard since our balance comes from vision, vestibular (inner ear) and proprioception (the nerves in our joints ligaments and muscles saying where in space we are). Apparently 80% of that VVP load comes from the eyes. Take those away, you can give yourself a whole LOT of balance training very quickly.
So why not get good at that, in motion (we move in real life) before going for that wobble board or med ball or swiss ball?
So if you want to work balance, fabulous. get on one leg, turn your head. One leg, close your eyes, turn your head. When you're awesome at moving and balancing, go a bit squishier. Remember, the idea is not to be stable on a wobble board, but stable in motion.
A lot of studies about wobble board adaptations don't demonstrate translation OFF the board into real activities (note, we are NOT talking about swiss ball work in the context of rehab, but regularly fit folk doing their workouts on unstable surfaces.) Here's a great example: this is a super article at the sports injury bulletin on the relationship of the proprioceptive system's mix with the visual and vestibular for balance work. Once you finish the intro though, here comes the wobble stuff. Does it translate off the board?
McGill was one of the first to show that sitting on swiss balls doesn't actually help strengthen the low back. Likeiwise, this is eric cressey's beef with unstable surface training and athetics. All this bosu ball stuff - so what you can balance on one of these - what happens when you get off them? From the actual research Cressey's done, the answer is not alot to less than nothing. A fast muscle test pre and post will tell you the same thing.
At least the recommendations at the end of that sports injury bulletin article is to start balance training on stable surfaces; master that before adding any kind of load - and load can be doing sums while balancing - it doesn't have to be a wobble board (aside: these concepts are all very much part of the z health i phase certification, so if you're looking for a trainer sensitive to improving your atheltic performance in the real world, look for a zhealth trainer with I in the list of their certs).
Summary: Renegade Rows Rock.
Hmm. well. didn't expect a description of the renegade row to become a treatise on the evils of the bosu. The intent was to say, if you're looking for something new to challenge your workouts, the renegade row with its pull and push, done with kettlebells, and especially as part of an EDT upper/lower body set workout, can be simply awesome.
You'll love all the places you're aware of your muscles over the next few days. Tweet Follow @begin2dig
Why? Rows in general are great upper body workouts. Stuart McGill has recently done an article on rows comparing inverted, standing bent over and one arm cable rows for back activation patterns. They are powerful core workouts.
The renegade row is likely closest to the standing bent over row with a few differences - a biggie being balance/control of the weight.
The renegade row, is shown above with Power Blocks. For added strength/stability challenge, put your feet only shoulder width apart, and get out a couple of kettlebells. Why kb's? It takes a bit of extra coordination (ie muscles firing) to keep them steady. That means you're adding a wee bit of balance to the workload.
mc's Renegade Row Sequence
Just to review, here's how i do a renegade row sequence - it may vary from yours.
Pull Part
- pull up one bell to belt line and belt height
- put it down
- pull up opposite side put it down
- repeat 5 times.
Push Part:
- follow the pull sets with 5 perfectly level push ups on the bell handles.
Now, other variants of this row are, pull left, push up, pull right. Personally, i find it more effective to focus on the pulls, L/R and then the pushes. Your mileage may vary.
Sequencing:
I like to EDT the renegade rows into a set with some lower body work. Somedays its goblet squats, or double KB front squats, or romanian single leg dl's or yesterday it was double kb single leg deadlifts for the lower body work. EDT means going for max sets of each pattern within 15 mins, using a 10RM weight going for only five reps.
Muscles Worked: why i love this excersise.
I love how this sequence makes me feel for the next few days:
- it hits the abs, but the obliques it seems in particular
- Lats are loved
- pecs can be quite buzzed
- traps and rhomboids of course get some attention.
- well it's the whole core, holding that plank, isn't it? (word doc about up/low core) - tall, neutral spine throughout.
A bit of Stability; A bit of Form; a bit of kalos sthenos (beautiful movement)
I also like the momentary loaded, dynamic balance / strength aspect of
- just staying stable with both hands on the bells - i think Mike Mahler who's Aggressive Strength hybrid EDT routines introduced me to this fab move once said don't do this with anything smaller than a 16k bell cuz the base of support is too small. Ha! i say. i use 12s.
- staying level in the trunk while pulling up on the bell - muscle control to stay planked and again keep stable on the balance hand/bell combo.
Mr. mahler, pictured above, has his feet nice and close - shoulder width at most. He seems, however, to be torquing to the side here. I'd suggest stay more in the level plank and get the hand right up to the waist. You'll note the guy in the vid at the top of this story above doesn't torque but his feet are quite spread.Get both these parts together and you'll be very pleased with yourself. For instance, take a look at this version: nice level trunk; feet only shoulder width apart; neutral neck position; no torquing on the up.
Now some folks what don't know better may say these are "sissy weights" pirctured, but they may want to reserve that appellation if they can't hold this form with their KB of choice themselves.As you can see if you have given this sequence a go, it's not easy to get in this kind of dynamic upper body/trunk work, and the RR is way cool.
Practice staying tight (as pavel might say) in the core. You may want to practice doing planks first, or getting used to balancing in form on the bells and just bringing your hand up to your side while maintaining your plank form while one side is off the bell.
Challenging form: balance
I mention that we're working to hold balance when using the KB's rather than the very stable powerblocks. And for me that little bit of stabilization required is just right: not too much instability. What do i mean by "too much"?
Some times you'll see folks using medballs for their pushups - i'm not crazy for that much of a stability challenge - i personally don't test stronger after that; with kb's i do.
By "test stronger" - i mean something zhealth teaches: if you're wondering if a particular
form of an exercise is working for you, do a muscle test (you may need a partner for this) before the test; do the excercise; retest. If you're weaker, there may have been something saying to your nervous system that's not a happy thing.Ok. what's a muscle test, since there are different ways this term is used. Here, it's pretty straight ahead: it's simply a test to see if your muscles are functioning properly. If you hold your arm up, and your wrist out in extension, i shouldn't readily be able to pull your hand down if everything is firing properly.
Another good example - testing hamstring strength: all's well, you standing with your hands on the wall, looking straight ahead, bent knee, i should have some good resistance pushing down on your calf. Indeed i shouldn't really be able to press a big guy's leg to the ground (as per me here, pushing on Kenneth Jay's calf as Mike Cheatham kindly plays "the wall" for this muscle test at the Denmark09 RKC). I've written before about this kind of thing with the arthrokinetic reflex.
So once you do this test, you may find that you test a little more weakly (muscle is overcome) in a test than before doing pushups on wobbly surface. This is going to get onto a whole jag about instability training, but why jump on a wobbly surface if, say, we have trouble keeping balance with one foot off the ground and we then turn our head sharply? give it a go - how'd you do? Try a few other sports positions and then turn your head (as you might in real life or in a sport); try them with your eyes closed and a good head turn.Here's a great one: one foot in front of the other, toe touching heel. Stable, or surfer dude? Now close your eyes. More stable or more surfer?
That's our proprioceptive system working really hard since our balance comes from vision, vestibular (inner ear) and proprioception (the nerves in our joints ligaments and muscles saying where in space we are). Apparently 80% of that VVP load comes from the eyes. Take those away, you can give yourself a whole LOT of balance training very quickly.
So why not get good at that, in motion (we move in real life) before going for that wobble board or med ball or swiss ball?
So if you want to work balance, fabulous. get on one leg, turn your head. One leg, close your eyes, turn your head. When you're awesome at moving and balancing, go a bit squishier. Remember, the idea is not to be stable on a wobble board, but stable in motion.
A lot of studies about wobble board adaptations don't demonstrate translation OFF the board into real activities (note, we are NOT talking about swiss ball work in the context of rehab, but regularly fit folk doing their workouts on unstable surfaces.) Here's a great example: this is a super article at the sports injury bulletin on the relationship of the proprioceptive system's mix with the visual and vestibular for balance work. Once you finish the intro though, here comes the wobble stuff. Does it translate off the board?
McGill was one of the first to show that sitting on swiss balls doesn't actually help strengthen the low back. Likeiwise, this is eric cressey's beef with unstable surface training and athetics. All this bosu ball stuff - so what you can balance on one of these - what happens when you get off them? From the actual research Cressey's done, the answer is not alot to less than nothing. A fast muscle test pre and post will tell you the same thing.
At least the recommendations at the end of that sports injury bulletin article is to start balance training on stable surfaces; master that before adding any kind of load - and load can be doing sums while balancing - it doesn't have to be a wobble board (aside: these concepts are all very much part of the z health i phase certification, so if you're looking for a trainer sensitive to improving your atheltic performance in the real world, look for a zhealth trainer with I in the list of their certs).
Summary: Renegade Rows Rock.
Hmm. well. didn't expect a description of the renegade row to become a treatise on the evils of the bosu. The intent was to say, if you're looking for something new to challenge your workouts, the renegade row with its pull and push, done with kettlebells, and especially as part of an EDT upper/lower body set workout, can be simply awesome.
You'll love all the places you're aware of your muscles over the next few days. Tweet Follow @begin2dig
Sunday, December 21, 2008
Perfect Rep Quest Con't: Insane Improvement - from Breathing?
Follow @mcphoo
Tweet
Ça me surprend.
It's been one more week of the mc variant of the KJ Beast Hi/Lo volume program. I hadn't planned on writing up until next week as i didn't anticipate having anything compelling to report, based on Light Weight/ High Rep day - just steady progress. The change on the low volume/heavy weight day seems, well, absurd: it's a six fold increase on last week. What's that about? Let's recap:
Light/High Volume day (dec 18): steady progress
Good improvements, more in line with what i'd call normal increases with a kind of EDT approach.
That said, the what was supposed to be low reps / high load day kinda blows this progress out of the water. You won't believe this. I don't know why i'm writing it down. It's too insane. You'll see.
Low (ha!) Rep/ Heavy Day (Dec 21): well that's a surprise
Just to recap, this is my saga to get up to the 24kg. An impossible seeming dream considering i could maybe press the 16 once on the left (my weaker side) and that only on a very very good day. To recap with the sixteen pressing, starting with the right, but gated by the left.
Recovery: Less =more reps?
Last week i'd said how important full recovery was. That i was taking my 3 mins, and failed after 6 good reps. So this week, again, i focussed on full recovery, z health drills during those 3 mins.
After i hit 11 reps, which was already one shy of doubling my last week's progress, i decided to cut the recovery back - surely that would nip this progress in the bud. It didn't. So after a few more reps, i just kept cutting the recovery time back: 2.30, 2.00, 1:30, 1:00, 0.45, 0.30, till it got to where i was just C&P'ing, putting the bell down, marking down the rep and time, and repping it again.
Just for ref, here's the times from after rep 11. - a rep is C&P right; C&P left; recovery. The times mark the END of the set - after i've scratched a | for the rep.
12 - 13:03:53
13- 13:07: 02
14- 13:04:40
15- 13:12:15
16 - 13:14:34
17- 13:16:49
18 - 13:18:54
19 - 13:20:55
20 - 13:22:05
21 - 13:22:59
22 - 13:23:57
23- 13:24:40
24 -13:25:32
25 - 13:26:16
26 -13:26:16
27 - 13:27:42
28 - 13:28:18
29 -13:28:56
30 - 13:29:30
31 - 13:30:09
32 -13:30:45
33 - 13:31:20
34 - 13:31:50
35- 13:32:23
36 -13:32:50
Ok, i personally have never ever had a change of this magnitude in a week. Last week, i was SURE that it was because i had rushed recovery time just a bit (from 3 mins to closer to 2min30sec) that resulted in failing at rep 7. This week, after 35 reps, i couldn't fail with as little as 30 secs rest. So what's different this week? I had a shot in my left (weaker) arm Friday which still hurts, so thought i was really gonna suck this week. Other than a virus coruscating through me? It may be breathing.
Breathing - Part of Efficiency and the Perfect Rep
As part of a convo with breath master Will Williams, we got looking at the difference between the specifics of the Valsalva maneuver and Power Breathing as Pavel has decribed it. This exchange caused me to go back to anywhere Pavel's discussed breathing in ETK, Power to the People and Naked Warrior.
The version that resonated with me the most? Naked Warrior, where Pavel recalling what he'd learned from Mas Oyama about forcing the air down. But fundamentally, Pavel writes "As long as the contents of your stomach are compressed—you are power breathing" (p.82). That really resonated with me. There's lots more in that chapter of NW and i strongly recommend it, cuz i'm just saying that of ALL the parts of the technique, that is the aspect that really was Ah Ha with me rereading it. I still don't have Will's hiss down (see his front squat vid), but i was able to get that stomach compressed, sinking the breath down. grr.
So what's coming together here? Form of the C&P - it's getting smoother, and i suspect that's coming a lot from the high volume/light days. And that 6 fold improvement over last week? Is that down to the breathing?
You may ask if so, what on earth was i doing before? On the light loads, i'm inhaling when pressing up, and exhaling when bringing the bell down. On the heavy day last week i tried to have enough space to inhale a bit pressing up; exhale on the down.
This time, taking that power breathing of not to inhale or exhale completely, but to hold that compression, i got my air down, held it through the up phase of the C&P, getting a proper park/pause at the shoulder and press up. Most of the time, i still had the breath in me with the bell coming down; other times it was shhh'shd out coming down.
I've become a convert as well to the notion that a good clean sets up a good press. It's not like i didn't believe this before, but with all this practice, i feel like my clean really is becoming smoother - and easier with the 16 - a challenging weight- which is nice. I'll be intrigued to see how this smoothness with the mass translates - or if it does - to my 5min snatch test.
Whither Next with Heavy Day?
Today's practice feels like some kind of breakthrough. I don't really feel any different, but i can't deny the numbers. Many things to check out at any point in the future. Based on these 36 singles, it may be time to start thinking about giving regular ETK ladders a try with the 16.
As for the Bête quest, and since Kenneth's heavy days are supposed to be 5 - 15 heavy presses, requiring that full recovery, it may be time to go for KJ's double bell pressing and partials. That is, use two KB's rather than one. A 16k with a 5 pounder (see, those GNC/Everlast suckers can come in handy) is 18 and a bit kg, so more than 16 and not quite the 20. Kenneth also suggests that the requirements to balance those two bells really pushes on correct form.
Is this a Great Big WTF Effect or am i Dreaming?
Of course a big part of me says that today must have been some mysterious fluke, since i haven't gained pounds of muscle in my shoulders, i'm quite sure (i don't think it's possible within a month for a gal to do that). If there was any doubt before, i'm here to testify: strength sure does seem to be a skill. So here's to neuromuscular adaptation, form, breathing, and lots and lots of perfect rep practice. Tweet Follow @begin2dig
Ça me surprend.
It's been one more week of the mc variant of the KJ Beast Hi/Lo volume program. I hadn't planned on writing up until next week as i didn't anticipate having anything compelling to report, based on Light Weight/ High Rep day - just steady progress. The change on the low volume/heavy weight day seems, well, absurd: it's a six fold increase on last week. What's that about? Let's recap:
Light/High Volume day (dec 18): steady progress
Good improvements, more in line with what i'd call normal increases with a kind of EDT approach.
- In the first 15 min PR Zone, 13 sets of 5 reps with 12k. fine.
- In the second 15 min PR Zone, 4 sets of 5 with the 12, followed by 12 sets of 5 with an 8.
That said, the what was supposed to be low reps / high load day kinda blows this progress out of the water. You won't believe this. I don't know why i'm writing it down. It's too insane. You'll see.
Low (ha!) Rep/ Heavy Day (Dec 21): well that's a surprise
Just to recap, this is my saga to get up to the 24kg. An impossible seeming dream considering i could maybe press the 16 once on the left (my weaker side) and that only on a very very good day. To recap with the sixteen pressing, starting with the right, but gated by the left.
- 1st week: 1 Rep
- 2nd week: 2 Reps
- 3rd week: 6 reps
- all of these going to failure.
- this week: 36 reps. I *quit* before failure, and with perfect form.
Recovery: Less =more reps?
Last week i'd said how important full recovery was. That i was taking my 3 mins, and failed after 6 good reps. So this week, again, i focussed on full recovery, z health drills during those 3 mins.
After i hit 11 reps, which was already one shy of doubling my last week's progress, i decided to cut the recovery back - surely that would nip this progress in the bud. It didn't. So after a few more reps, i just kept cutting the recovery time back: 2.30, 2.00, 1:30, 1:00, 0.45, 0.30, till it got to where i was just C&P'ing, putting the bell down, marking down the rep and time, and repping it again.
Just for ref, here's the times from after rep 11. - a rep is C&P right; C&P left; recovery. The times mark the END of the set - after i've scratched a | for the rep.
12 - 13:03:53
13- 13:07: 02
14- 13:04:40
15- 13:12:15
16 - 13:14:34
17- 13:16:49
18 - 13:18:54
19 - 13:20:55
20 - 13:22:05
21 - 13:22:59
22 - 13:23:57
23- 13:24:40
24 -13:25:32
25 - 13:26:16
26 -13:26:16
27 - 13:27:42
28 - 13:28:18
29 -13:28:56
30 - 13:29:30
31 - 13:30:09
32 -13:30:45
33 - 13:31:20
34 - 13:31:50
35- 13:32:23
36 -13:32:50
Ok, i personally have never ever had a change of this magnitude in a week. Last week, i was SURE that it was because i had rushed recovery time just a bit (from 3 mins to closer to 2min30sec) that resulted in failing at rep 7. This week, after 35 reps, i couldn't fail with as little as 30 secs rest. So what's different this week? I had a shot in my left (weaker) arm Friday which still hurts, so thought i was really gonna suck this week. Other than a virus coruscating through me? It may be breathing.
Breathing - Part of Efficiency and the Perfect Rep
As part of a convo with breath master Will Williams, we got looking at the difference between the specifics of the Valsalva maneuver and Power Breathing as Pavel has decribed it. This exchange caused me to go back to anywhere Pavel's discussed breathing in ETK, Power to the People and Naked Warrior.
The version that resonated with me the most? Naked Warrior, where Pavel recalling what he'd learned from Mas Oyama about forcing the air down. But fundamentally, Pavel writes "As long as the contents of your stomach are compressed—you are power breathing" (p.82). That really resonated with me. There's lots more in that chapter of NW and i strongly recommend it, cuz i'm just saying that of ALL the parts of the technique, that is the aspect that really was Ah Ha with me rereading it. I still don't have Will's hiss down (see his front squat vid), but i was able to get that stomach compressed, sinking the breath down. grr.
So what's coming together here? Form of the C&P - it's getting smoother, and i suspect that's coming a lot from the high volume/light days. And that 6 fold improvement over last week? Is that down to the breathing?
You may ask if so, what on earth was i doing before? On the light loads, i'm inhaling when pressing up, and exhaling when bringing the bell down. On the heavy day last week i tried to have enough space to inhale a bit pressing up; exhale on the down.
This time, taking that power breathing of not to inhale or exhale completely, but to hold that compression, i got my air down, held it through the up phase of the C&P, getting a proper park/pause at the shoulder and press up. Most of the time, i still had the breath in me with the bell coming down; other times it was shhh'shd out coming down.
I've become a convert as well to the notion that a good clean sets up a good press. It's not like i didn't believe this before, but with all this practice, i feel like my clean really is becoming smoother - and easier with the 16 - a challenging weight- which is nice. I'll be intrigued to see how this smoothness with the mass translates - or if it does - to my 5min snatch test.
Whither Next with Heavy Day?
Today's practice feels like some kind of breakthrough. I don't really feel any different, but i can't deny the numbers. Many things to check out at any point in the future. Based on these 36 singles, it may be time to start thinking about giving regular ETK ladders a try with the 16.
As for the Bête quest, and since Kenneth's heavy days are supposed to be 5 - 15 heavy presses, requiring that full recovery, it may be time to go for KJ's double bell pressing and partials. That is, use two KB's rather than one. A 16k with a 5 pounder (see, those GNC/Everlast suckers can come in handy) is 18 and a bit kg, so more than 16 and not quite the 20. Kenneth also suggests that the requirements to balance those two bells really pushes on correct form.
Is this a Great Big WTF Effect or am i Dreaming?
Of course a big part of me says that today must have been some mysterious fluke, since i haven't gained pounds of muscle in my shoulders, i'm quite sure (i don't think it's possible within a month for a gal to do that). If there was any doubt before, i'm here to testify: strength sure does seem to be a skill. So here's to neuromuscular adaptation, form, breathing, and lots and lots of perfect rep practice. Tweet Follow @begin2dig
Monday, December 15, 2008
mc's version of KJ's beast pressing protocol - just fyi
Follow @mcphoo
Tweet
Protocol Review: What do i do?
A few folks have kindly asked exactly what am i doing in this volume protocol for presses i've been writing about recently (here's the latest post). Thanks for reading and for your interest.
The following is my current rif on KJ's Beast Plan for Presses (described in the RKC manual, 2007, 2008 and the subject of a forthcoming book).
As said, this is a slight variant on the protocol developed by Kenneth Jay. Any compromises to that plan are entirely mine. This post is not a protocol endorsement at all - i'm just experimenting and have not completed that experiment. I'm posting this in the interest of being clear about the method of the approach. I'll continue to report my results, but i'm only a sample of one so far. If you're interested in playing along, by all means, but again, no guarentees :)
With that caveat in place, here we go:
Light Day
As soon as form on the press starts to go south - like a complete rep but needing to put in a hip - go to a lighter bell, and keep going.
I do two 15 min zones. Many challenges within this: getting to 200 reps with perfect form; getting to the complete cycle with the same weight are two good ones.
Heavy Day
Again, i set the 15min timer - not so much because i want to work for 15 mins, but because i want to make *sure* i use the full period for recovery. If i cut that short, the rep fails. That's all there is to it - at least for me. And strength work like this is 2-3 mins. The timer helps me stick to that because i HATE waiting and like to rush to do the next press. For me, that's a doomed strategy, so i use the timer. Then, with heavy bell ready,
Then recovery. Then it's onto partials. reset timer.
So, Kenneth has neat ideas here: if i don't want to do parials with a 4k jump up to the 20, i could do partials with a double bell combination. KJ is a big fan of stacking bells, even if they don't come up to the goal weight of the new bell. Here's where that happens for me: just before one heavy bell looses form.
So, the Partial recipe is to press up with the assist of the other hand, come down to sticking point; press back up; come down a little further, press up; down a little further, press up. This approach to partials is very cool. It works on both sides - where i get down to on each side is a bit different, but it's working.
Two notes on the partials: perfect form.
First, as said, if i feel form is about to get lost, i bail to go to the 16 stacked with another bell, for slightly under the 20 weight, to about an 18. Second, breathing and handle gripping.
Many folks already know this; i've heard it alot too, but it's not until i've really practiced it with this approach that i've gotten how vital it is. For me, it's
There's at least a two day gap between the light day and the heavy day for pressing, so that's *only* once a week for the complete pressing cycle. The other days of the week are currently replete with fighting despair while trying to build up my pistol and pull up, again with heavy/light days per both, snatching once a week (or so) to stay solid with the new RKC snatch test numbers, and a whole lot of rowing thrown in for fun, happiness and alternating steady state/interval cardio. Thanks to KJ there too for pointing out the similarity between rowing and snatching.
Ok, wow, surprised that took so many words to detail, but i hope that helps anyone curious about exactly what i'm doing in these sets. Tweet Follow @begin2dig
A few folks have kindly asked exactly what am i doing in this volume protocol for presses i've been writing about recently (here's the latest post). Thanks for reading and for your interest.
The following is my current rif on KJ's Beast Plan for Presses (described in the RKC manual, 2007, 2008 and the subject of a forthcoming book).As said, this is a slight variant on the protocol developed by Kenneth Jay. Any compromises to that plan are entirely mine. This post is not a protocol endorsement at all - i'm just experimenting and have not completed that experiment. I'm posting this in the interest of being clear about the method of the approach. I'll continue to report my results, but i'm only a sample of one so far. If you're interested in playing along, by all means, but again, no guarentees :)
With that caveat in place, here we go:
Light Day
- pick a weight i can do ten reps with and get ready for multiple sets of five
- set a timer for 15mins (i like the gymboss as a physical device & use it alot, but for a BIG screen version, this freebie javascript page rules.).
- Press strong/best side for 5 - inhale on the press/exhale on the descent. focus on form each rep.
- Press weaker/lesser side for 5
- Put the bell down
- Do TEN bodyweight DeadLifts (so focus on form, in particular, bone rhythm, so that's getting the ass down fast to finish with the knees, exhaling on the out, inhaling on the up. These are done FAST - as fast as can be done to keep that perfect bone rhythm form, yes, but also to keep the heart up to test the effect of integrated cardio)
- mark down complete set with a | in a workout book.
- Take a breath
As soon as form on the press starts to go south - like a complete rep but needing to put in a hip - go to a lighter bell, and keep going.
I do two 15 min zones. Many challenges within this: getting to 200 reps with perfect form; getting to the complete cycle with the same weight are two good ones.
Heavy Day
Again, i set the 15min timer - not so much because i want to work for 15 mins, but because i want to make *sure* i use the full period for recovery. If i cut that short, the rep fails. That's all there is to it - at least for me. And strength work like this is 2-3 mins. The timer helps me stick to that because i HATE waiting and like to rush to do the next press. For me, that's a doomed strategy, so i use the timer. Then, with heavy bell ready,
- i do my C&P on the strong side; park the bell.
- Pause for a breath to feel in the zone.
- Do my C&P on the weaker side. park the bell.
- Do z health drills during the recovery period.
- make SURE the full recovery period has passed.
- Repeat.
Then recovery. Then it's onto partials. reset timer.
So, Kenneth has neat ideas here: if i don't want to do parials with a 4k jump up to the 20, i could do partials with a double bell combination. KJ is a big fan of stacking bells, even if they don't come up to the goal weight of the new bell. Here's where that happens for me: just before one heavy bell looses form.
So, the Partial recipe is to press up with the assist of the other hand, come down to sticking point; press back up; come down a little further, press up; down a little further, press up. This approach to partials is very cool. It works on both sides - where i get down to on each side is a bit different, but it's working.
Two notes on the partials: perfect form.
First, as said, if i feel form is about to get lost, i bail to go to the 16 stacked with another bell, for slightly under the 20 weight, to about an 18. Second, breathing and handle gripping.
Many folks already know this; i've heard it alot too, but it's not until i've really practiced it with this approach that i've gotten how vital it is. For me, it's
- inhale going up; exhale coming down - it's just smoother, more in control - for me, anyway.
- grip the handle especially if in grief on going up. When i've felt my weaker side pushing through the sticking point, gripping the handle with extra force on the heavy day, and towards the end of the light day, helped keep the form groove.
There's at least a two day gap between the light day and the heavy day for pressing, so that's *only* once a week for the complete pressing cycle. The other days of the week are currently replete with fighting despair while trying to build up my pistol and pull up, again with heavy/light days per both, snatching once a week (or so) to stay solid with the new RKC snatch test numbers, and a whole lot of rowing thrown in for fun, happiness and alternating steady state/interval cardio. Thanks to KJ there too for pointing out the similarity between rowing and snatching.
Ok, wow, surprised that took so many words to detail, but i hope that helps anyone curious about exactly what i'm doing in these sets. Tweet Follow @begin2dig
Sunday, December 7, 2008
Why "Fire the Lats" in a Kettlebell swing?
Follow @mcphoo
Tweet
When swinging a kettlebell in the RKC Hardstyle, you will regularly hear an RKC instructor say "fire the lats" as an aid to "pack the shoulder" or to keep the shoulder from flying out of its socket
(is Lance, pictured left, firing those lats?? aren't those shoulders a bit high?)
When i saw my first RKC and heard this, i had no idea what the above instruction meant or to feel whether or not i was achiving it. Much tough love was administered in an effort to trigger the phenomena.
At the RKC cert, lat firing was realized, along with many other refinements to the swing, such that i understood Pavel's idea of the swing firing down and INTO THE GROUND rather than out. The nirvana moment happened for me when i felt/got that with "lats fired" the kettlebell swing could barely reach chest height - the arms just did not go higher.
Didn't really think about the causes of that effect, but have tried since then to instill it as a heuristic in the folks i coach: when that big side muscle is working, the shoulders stay in the sockets and the arms just will not go more than chest height - individual variation will be a bit below (like me) or maybe a bit above (haven't seen that as much).
So why, you might ask, would the lats being ON have what i've called a "braking effect" on the apogee or top point of a swing?
We can go back to the pull up as a lat exercise to put this picture. As i wrote there:
So, the lat works on the shoulder, or in particular the shoulder joint, by its connection on the upper arm. Firing it will therefore brake the top arc of the swing, and maintain the shoulder control when the arm adducts or crosses slightly in front of the body to do two handed or one handed swings.
You can try this out yourself without a kettlebell. Lock your elbow and first start with your arm at your side, relaxed, and just try raising your arm by moving your arm in front of you and all the way up so your upper arm is close to your ear (if you can't get it to your ear we have another thing to talk about). Look at how great the arc is of that arm. from your side all the way up, like 180 degrees.
Now get your arm by your side and try flexing the muscles you feel along your sides. When you have that "grr" tight feel, now see how high you can raise your arm comfortably. Somewhere around 90 degrees, give or take?
In other words, and here's what at least to me seems so amazing, the muscle is not working within the shoulder to hold it back in its socket, but is actually using this mass of back muscle tied into the inside of the upper arm, to put a brake the arm action forward when it's flexed, and THAT the main action keeping the shoulder "packed" in the swing.
One more visualization: imagine someone tied a thick jump band to the inside of your arm, and held it going under your armpit and across your back. Initially when the band is relaxed, you can move your arm up in a full arc. If that person tightens that elastic up, that's going to limit the degree of the arc the arm can now be raised (this may also help reinforce why the lats are so big in pull ups: that lat muscle wants to get that arm down and back, in the direction of the muscle fiber).
SO the arm is kept from flying up (or out) of the socket with the help of the lats that both hold it back and limit its arc / range of motion when the muscle is flexed.
What is the shoulder socket or glenohumeral joint? If we talk about "packing the shoulder" in the swing, therefore, we are talking about a joint - the shoulder joint. A joint is where two bones come together to act as a lever. In the shoulder joint, the top of the upper arm bone or humerous, connects with the scapula, or shoulder blade.
The way the lat is connected to the upper arm, therefore, pretty literally, helps keep the arm in its socket.
It's not the only muscle acting on the shoulder joint. There are a bunch of muscles stabilizing the shoulder like the rotator cuff set, but beyond these stabilizers, there are three main actors on the shoulder: the delts, which take the arm to the sides, the pecs which helps bring the arm up (think bench press) or forward (baseball throw) and the lats.
In the swing, while the deltoids and pecs do some work, the major action on the shoulder is the lat. Remeber, the swing is not a pull (from the pec). The swing is carried forward on momentum from the hips. The lat acts first like a brace and then a brake, as said, to keep that momentum from throwing the arm out. This effect is reminiscent of the action of the hamstrings when sprinting: the hamstring acts as a brake so that the leg doesn't go flying out from all that quad power: it wants to pull that leg back down into extension.
The second action is bringing the bell down, keeping the shoulders packed with lats fired, lets one accelerate it beyond what gravity/momentum allows if the arms just come down with the descent of the swing. Pavel demonstrated this powerful pull down into the ground rather than way out in front at the cert using a super light (8K) bell, saying with the right form/muscle work, you should be able to get that power drive acting on any size bell you can swing - even tiny ones. The difference in feel is that the energy of the bell is coming down into the ground. As we practiced this over the cert weekend, many of us started to find ourselves being propelled backwards in our swings just at the end of the swing, showing heel skid marks in the sand.
Note: as RKC Randy Hauer points out, the down phase of the swing is initiated with the hips flexing (hinge at the hips). My point is that in the upper body part of this move, the flexed lats keep that move solid. Thanks for the clarification, Randy.
Putting the muscle together with the movement
By seeing how the lat is connected to the arm, and knowing that a flexed muscle means a muscle that is being shortened in the contraction, you can probably see how that muscle - again with all that muscle mass along the back of the lat working - is going to be able to support the transfer of power from the hips and out through the arms without the arms projectiling out of the shoulder. Likewise, keeping those lats fired and the arms stable while coming down with the bell insures the same protection coming down again, whether with gravity alone at 32m/s/s or overspeeding down.
Summary
By considering both how/where the lat is connected to the arm and how it operates on the shoulder joint has helped me understand why "firing the lats" supports excellent form in the swing, as doing so:
Bonus benefit to lat firing? Spine stabilization. Look at that lat images above: the lat's knit through so much of the spine, right into the butt, you get that working both sides, that spine is gonna be solid through the swing. ya ya, there are all the erectors and stuff in the lumbar spine too, and good thing, but look at that lat go! Thanks to Dev Chengkalath for reminding me that the lats connet to and affect the spine as well as the shoulder in the swing. Tweet Follow @begin2dig
When swinging a kettlebell in the RKC Hardstyle, you will regularly hear an RKC instructor say "fire the lats" as an aid to "pack the shoulder" or to keep the shoulder from flying out of its socket(is Lance, pictured left, firing those lats?? aren't those shoulders a bit high?)
When i saw my first RKC and heard this, i had no idea what the above instruction meant or to feel whether or not i was achiving it. Much tough love was administered in an effort to trigger the phenomena.
At the RKC cert, lat firing was realized, along with many other refinements to the swing, such that i understood Pavel's idea of the swing firing down and INTO THE GROUND rather than out. The nirvana moment happened for me when i felt/got that with "lats fired" the kettlebell swing could barely reach chest height - the arms just did not go higher.
Didn't really think about the causes of that effect, but have tried since then to instill it as a heuristic in the folks i coach: when that big side muscle is working, the shoulders stay in the sockets and the arms just will not go more than chest height - individual variation will be a bit below (like me) or maybe a bit above (haven't seen that as much).
So why, you might ask, would the lats being ON have what i've called a "braking effect" on the apogee or top point of a swing?
We can go back to the pull up as a lat exercise to put this picture. As i wrote there:
... [the Lats] enable the trunk to be pulled up via shoulder (or glenohumeral joint) extension. How does that work? The lat is like a big triangle of tough stretchy stuff that is nailed down along the spine from the middle of the back, just under the shoulder blade, right down into the butt at the sacrum. That's a lot of back. So the mid (or thoracic) spine is one point on the triangle; the sacrum (at the butt) is the second, and the third is in the arm, on the "medial side of the intertubercular groove of the humerus"
The lat connected in this way supports four movements of the shoulder joint: extension (movement of the humerus straight, posteriorly), bringing it across and in front of the body (adduction); internal rotation (putting your lower arm behind your back); bringing your arm up and around so that you can grab the opposite shoulder to the upraised arm (horizontal abduction).
You can try this out yourself without a kettlebell. Lock your elbow and first start with your arm at your side, relaxed, and just try raising your arm by moving your arm in front of you and all the way up so your upper arm is close to your ear (if you can't get it to your ear we have another thing to talk about). Look at how great the arc is of that arm. from your side all the way up, like 180 degrees.
Now get your arm by your side and try flexing the muscles you feel along your sides. When you have that "grr" tight feel, now see how high you can raise your arm comfortably. Somewhere around 90 degrees, give or take?
In other words, and here's what at least to me seems so amazing, the muscle is not working within the shoulder to hold it back in its socket, but is actually using this mass of back muscle tied into the inside of the upper arm, to put a brake the arm action forward when it's flexed, and THAT the main action keeping the shoulder "packed" in the swing.
One more visualization: imagine someone tied a thick jump band to the inside of your arm, and held it going under your armpit and across your back. Initially when the band is relaxed, you can move your arm up in a full arc. If that person tightens that elastic up, that's going to limit the degree of the arc the arm can now be raised (this may also help reinforce why the lats are so big in pull ups: that lat muscle wants to get that arm down and back, in the direction of the muscle fiber).
SO the arm is kept from flying up (or out) of the socket with the help of the lats that both hold it back and limit its arc / range of motion when the muscle is flexed.
What is the shoulder socket or glenohumeral joint? If we talk about "packing the shoulder" in the swing, therefore, we are talking about a joint - the shoulder joint. A joint is where two bones come together to act as a lever. In the shoulder joint, the top of the upper arm bone or humerous, connects with the scapula, or shoulder blade.
The way the lat is connected to the upper arm, therefore, pretty literally, helps keep the arm in its socket.
It's not the only muscle acting on the shoulder joint. There are a bunch of muscles stabilizing the shoulder like the rotator cuff set, but beyond these stabilizers, there are three main actors on the shoulder: the delts, which take the arm to the sides, the pecs which helps bring the arm up (think bench press) or forward (baseball throw) and the lats.
In the swing, while the deltoids and pecs do some work, the major action on the shoulder is the lat. Remeber, the swing is not a pull (from the pec). The swing is carried forward on momentum from the hips. The lat acts first like a brace and then a brake, as said, to keep that momentum from throwing the arm out. This effect is reminiscent of the action of the hamstrings when sprinting: the hamstring acts as a brake so that the leg doesn't go flying out from all that quad power: it wants to pull that leg back down into extension.
The second action is bringing the bell down, keeping the shoulders packed with lats fired, lets one accelerate it beyond what gravity/momentum allows if the arms just come down with the descent of the swing. Pavel demonstrated this powerful pull down into the ground rather than way out in front at the cert using a super light (8K) bell, saying with the right form/muscle work, you should be able to get that power drive acting on any size bell you can swing - even tiny ones. The difference in feel is that the energy of the bell is coming down into the ground. As we practiced this over the cert weekend, many of us started to find ourselves being propelled backwards in our swings just at the end of the swing, showing heel skid marks in the sand.
Note: as RKC Randy Hauer points out, the down phase of the swing is initiated with the hips flexing (hinge at the hips). My point is that in the upper body part of this move, the flexed lats keep that move solid. Thanks for the clarification, Randy.
Putting the muscle together with the movement
By seeing how the lat is connected to the arm, and knowing that a flexed muscle means a muscle that is being shortened in the contraction, you can probably see how that muscle - again with all that muscle mass along the back of the lat working - is going to be able to support the transfer of power from the hips and out through the arms without the arms projectiling out of the shoulder. Likewise, keeping those lats fired and the arms stable while coming down with the bell insures the same protection coming down again, whether with gravity alone at 32m/s/s or overspeeding down.
Summary
By considering both how/where the lat is connected to the arm and how it operates on the shoulder joint has helped me understand why "firing the lats" supports excellent form in the swing, as doing so:
- holds the arm into the shoulder joint socket (packs it in) and thus protects the shoulder during the momentum up of the swing
- acts to brake the upper motion of the swing for optimal moment of the down stroke
- supports that big in front of the body DOWN pull on the arms during that hip hinge down stroke of the swing
Bonus benefit to lat firing? Spine stabilization. Look at that lat images above: the lat's knit through so much of the spine, right into the butt, you get that working both sides, that spine is gonna be solid through the swing. ya ya, there are all the erectors and stuff in the lumbar spine too, and good thing, but look at that lat go! Thanks to Dev Chengkalath for reminding me that the lats connet to and affect the spine as well as the shoulder in the swing. Tweet Follow @begin2dig
Friday, December 5, 2008
More On the Perfect Rep Quest: Volume + Integrated Cardio
Follow @mcphoo
Tweet
I don't usually log my actual workouts here, but with growing interest in the perfect rep/strength development, thought it might be worth logging an experiment.
One of my current goals is to increase the size of the kettlebell i can press (i have dreams of the 24). Right now i'm pressing 3 of the 16 on the right and 1 of the 16 on the left.
The strategy:
So with the goal of getting in about 200 perfect rep presses a side, i set the timer for 15, pressing 5 on one/ 5 on the other. Recovery. During the recovery, i did 10 body weight perfect form DLs - this actually keeps the heart pumping without taxing the shoulders. Using the DL also lets me practice bone rhythm, breathing, head posture, eye movement in my DL. Every second used.
Now i confess, when i got to a scant 45 reps with the 12KB (8 sets of 5), i had to drop to the next size down (8KB) in order to maintain form. So yes i sacrificed pressing the weight to focus on form. But i did not care. The lighter bell at this rate/volume was still effortful while letting me get that pattern engrained.
I did two 15 min "zones" as Staley calls them. Total, 175 reps/arm (17 sets zone one; 20, zone 2).
What was fun: concentrating on the form. With KJ's approach i feel like i've been given permission to do these lighter weigths just to think about form.
Fringe Benefit? By adding in the fast BW DL's between pressing sets, the presses, amazingly, felt smoother - easier even. I wasn't expecting that.
Now whether and how these cycles will lead to strength is of course the other key part of this equation. But for today, this integrated resistance/vigorous cardio felt great, let me focus on form for TWO moves, and strength benefits promised to come. ya hoo.
The next day:
that many bodyweight DL's - am somewhat aware of my hamstrings today - but perhaps that DOMS effect of vigerous cardio is making it less intense than it would be otherwise? hmm.
Part Two of this series continues here: volume and the perfect rep: it seems to be working. Tweet Follow @begin2dig
One of my current goals is to increase the size of the kettlebell i can press (i have dreams of the 24). Right now i'm pressing 3 of the 16 on the right and 1 of the 16 on the left.
The strategy:
- try integrated cardio in strength work
- part 1: kenneth jay's High Volume/Low Volume, discussed here.
- part 2: integrating vigerous cardio between sets, as per Davis, discussed here.
- part 3: using Timed sets rather than absolute numbers of sets, a la Charles Staley's EDT. If you're not familiar with EDT, there's some great articles on t-nation. here's one.
So with the goal of getting in about 200 perfect rep presses a side, i set the timer for 15, pressing 5 on one/ 5 on the other. Recovery. During the recovery, i did 10 body weight perfect form DLs - this actually keeps the heart pumping without taxing the shoulders. Using the DL also lets me practice bone rhythm, breathing, head posture, eye movement in my DL. Every second used.Now i confess, when i got to a scant 45 reps with the 12KB (8 sets of 5), i had to drop to the next size down (8KB) in order to maintain form. So yes i sacrificed pressing the weight to focus on form. But i did not care. The lighter bell at this rate/volume was still effortful while letting me get that pattern engrained.
I did two 15 min "zones" as Staley calls them. Total, 175 reps/arm (17 sets zone one; 20, zone 2).
What was fun: concentrating on the form. With KJ's approach i feel like i've been given permission to do these lighter weigths just to think about form.
Fringe Benefit? By adding in the fast BW DL's between pressing sets, the presses, amazingly, felt smoother - easier even. I wasn't expecting that.
Now whether and how these cycles will lead to strength is of course the other key part of this equation. But for today, this integrated resistance/vigorous cardio felt great, let me focus on form for TWO moves, and strength benefits promised to come. ya hoo.
The next day:
that many bodyweight DL's - am somewhat aware of my hamstrings today - but perhaps that DOMS effect of vigerous cardio is making it less intense than it would be otherwise? hmm.
Part Two of this series continues here: volume and the perfect rep: it seems to be working. Tweet Follow @begin2dig
Monday, December 1, 2008
The Perfect Rep - and the role of volume with form.
Follow @mcphoo
Tweet
This post is a reflection on one aspect that contributes to the experience of the perfect rep: high volume. It's only one part, but i'd like to unpack a bit of why that part, at least for myself, and a rather new understanding of "volume" is becoming such a key part of "perfect."
One of the first things that struck me in reading Pavel's work like Enter the
Kettlebell is the emphasis on "the perfect rep." Don't go to failure; don't do so many reps that form goes to hell. Stay fresh. Make every rep perfect.
But what is the "perfect rep"? And how do we know if we have one?
This may not be your experience, but i've interpreted this "perfect rep" thing as getting the form right mechanically, and executing with the correct weight for the correct sets and moving on, eg doing the ladders for ETK's ROP. Upon reflection, though, that progression doesn't sound much like an experience of "perfection," does it? Sure one feels good after doing the workouts, and yes progress most emphatically occurs. But is it "perfection?" And why is experiencing perfection so important? would i know it if i did encounter it?
Some time ago i wrote about how seeing Will Williams doing the kettlebell front squat - in particular the breathing to go with that move - stopped me in my tracks as seeming effortless and perfect. I'd described it as what i'd understood art to be about, when a move goes from the mechanistic to the graceful.
The parts of perfection. Last week or so, looking at the kettlebell front squat, i came back to the front squat, going over how zhealth breaks down the concept of efficient movement into four parts that seems to be a recipe for the perfect rep:
What's been hitting me of late as a key feature of even getting into step one - hitting the target/perfect form - is volume by repetition. In other words, tons of reps. Which means lighter weights.
What's a Rep, really? Generally speaking, i've thought of reps as simply reps within a set, and that volume is just whatever you get from the total reps x mass for a particular workout. Increasing reps, especially when focusing on strength, has seemed just the wrong way to think about it, too: loads of reps is endurance strength, not power strength, heh we want POWER to PRESS. And it seems many protocols for strength reinforce this. For instance, in Charles Staley's excellent Escalating Density Training, in your 15 min. blocks, once you get 70reps inside a set, pretty much time to up the weight. What more is there to volume than that? Over the weekend, talking with Suleiman Al-Sabah about our mutual pressing goals, Al encouraged me again to think about doing "lots of reps" and reminded me of Kenneth Jay's part of the RKC manual on building strength. So i went to have a bit of a re-read.
The rationale for volume by rep: Kenneth talks about the need to do lots and lots of reps at a weight that can be readily sustained for lots and lots of reps to build up the neurological patterns of what that move is. The caveat to this volume, of course, is that you have to know what the correct form is to be repeated. See that RKC instructor.
Assuming that instruction has taken place, the rationale here for upping volume as half the strategy to strength is that this repetition neurologically groves the pattern of performance for building up the weight. To this end, Kenneth has Low Volume and High Volume days: lost of reps at lighter weight for grooving the pattern vs fewer (perfect) reps at higher weights to develop load.
Patterning is important. I've been focusing on the importance of patterning within z health practice - in terms of healing movement patterns, and taking those patterns from the level of conscious effort to unconscious habit. Over the weekend, i'd decided to focus just on my suitcase dead-lift form with KB's, using the EDT 15 min approach: the sDL's for the first exercise; floor presses for the second. For the sDL's I used a weight about half of what i usually use for such sets, just to focus on rep quality. The main points of concern, like that front squat for hitting the target meant correct head and eye position throughout the move, correct knee position, correct hip hinge, correct butt backness, and doing all this with bone ryhthmn. That's a lot to do. The cool thing that happened was that when everything was firing together, the rep simply felt better: more effective, more efficient, like all the parts working as one thing rather than as a bunch of joints and muscles trying to achieve something. Sadly by the time i was actually finished the 15 mins, and the sets of 5 reps were starting to really connect, (a) the time was up but (b) i was just starting to feel fatigued. Good time to stop, right? And keen desire to do it again. Oh, and i felt that workout the next day, too.
It's funny how when you need to hear something, you keep hearing it over and over, eh? At least i find this. It's like the opposite of a nightmare where you keep having the same monster, only bigger, until you stop turn around and look at the monster and say "can i help you?"
An Example of Rep Volume in Action. The Sneaky sneaky Way of the RKC. It was in the afternoon, after this morning workout, that i had the meet with Al and his recommendation of "lots of reps" and a reread of Kenneth Jay. And in rereading that section, i recollected one of the most profound experiences of the RKC cert: connecting with the swing. Indeed, i had a revelation of what the hardstyle swing form was, compared to how i'd interpreted and executed previous instruction. I felt i *got it* from "firing the lats" to getting the energy down into the ground. it was ah ha, ah ha, ah ha. I left the cert feeling pretty good about that swing, and could hardly wait to share these refinements with others.
How did that happen? Repeated instruction i'd thought and such attention on form over several days, but - i see it all now - the other key ingredient: lots and lost of reps. LOTS. Sneaky sneaky. Every 20mins over three days a timer went off and we were doing swings. And those were just the regularly scheduled ones. Any opportunity for pause was filled with swings, using a bell weight that enabled a perfect rep from first to last. So combine that volume with constant supervision to tweak and correct form, yes we'd better leave with a dang good sense of the swing. The other day i was quietly delighted when i was demo'ing a swing, the trainee laughed. I asked why. He said "well it's so right - the swing - that's what it's supposed to look like." With the instruction, it's the reps, isn't it.
Putting it together: More Reps Are Alright, Jack.
It's taken me till today to put it together that it's just this type of volume with focus on form that, ya, does embed the move in the body. And more, it does provide the basis for increasing the load, just as KJ and Pavel have said. As proof positive, half way through the cert, with the encouragement of team assistant instructor Lynda Angeles, i was double swinging 24s with proper form. That effort with that load would not have been possible - it was certainly not imaginable - prior to this halfway point in the three days of swings marvelous swings.
The take away at least for this first step towards a perfect rep, of Hitting the Target, is indeed doing what it takes to get in the volume of reps. This is not using a sissy weight. Pavel would not have let us get away with this during the RKC, but as KJ says in the RKC manual talking about presses: using a weight you can do for 5-15 reps, and if you're doing 15 reps, your high volume day better be 200/side.
I used to think of light days as just a way to keep effort alive and not burn out from higher work volume. Ho hum. I now find myself energized and looking forward to these high volume lighter weight days as an opportunity to have that form *click* in those moves where i've had instruction, and can monitor myself to feel that connection.
Hope if you've had questions about the role of volume of reps, these reflections might help you too experience where the path to the perfect rep, after instruction and knowledge of proper form, is aided immensely by rep volume.
Note: do look at Mike's comments below on fascial adaptation - and the recommendation to change up trunk positions for HIGH volume (thanks Mike).
Book Plug: Kenneth Jay in the New Year.
Now if you don't have an RKC certification manual to read up on Kenneth's approach to the press, fear not. A book is coming in the new year to focus says Kenneth on, perhaps not surprisingly, the perfection of the press, the pistol and the pull up. In the meantime, happy repping.
update: the quest for the perfect strength rep through volume continues, charting the course here. Tweet Follow @begin2dig
One of the first things that struck me in reading Pavel's work like Enter the
Kettlebell is the emphasis on "the perfect rep." Don't go to failure; don't do so many reps that form goes to hell. Stay fresh. Make every rep perfect.But what is the "perfect rep"? And how do we know if we have one?
This may not be your experience, but i've interpreted this "perfect rep" thing as getting the form right mechanically, and executing with the correct weight for the correct sets and moving on, eg doing the ladders for ETK's ROP. Upon reflection, though, that progression doesn't sound much like an experience of "perfection," does it? Sure one feels good after doing the workouts, and yes progress most emphatically occurs. But is it "perfection?" And why is experiencing perfection so important? would i know it if i did encounter it?
Some time ago i wrote about how seeing Will Williams doing the kettlebell front squat - in particular the breathing to go with that move - stopped me in my tracks as seeming effortless and perfect. I'd described it as what i'd understood art to be about, when a move goes from the mechanistic to the graceful.
The parts of perfection. Last week or so, looking at the kettlebell front squat, i came back to the front squat, going over how zhealth breaks down the concept of efficient movement into four parts that seems to be a recipe for the perfect rep:
- perfect form - hitting the target
- dynamic postural alignment.
- synchronized respiration
- balance tension and relaxation
What's been hitting me of late as a key feature of even getting into step one - hitting the target/perfect form - is volume by repetition. In other words, tons of reps. Which means lighter weights.
What's a Rep, really? Generally speaking, i've thought of reps as simply reps within a set, and that volume is just whatever you get from the total reps x mass for a particular workout. Increasing reps, especially when focusing on strength, has seemed just the wrong way to think about it, too: loads of reps is endurance strength, not power strength, heh we want POWER to PRESS. And it seems many protocols for strength reinforce this. For instance, in Charles Staley's excellent Escalating Density Training, in your 15 min. blocks, once you get 70reps inside a set, pretty much time to up the weight. What more is there to volume than that? Over the weekend, talking with Suleiman Al-Sabah about our mutual pressing goals, Al encouraged me again to think about doing "lots of reps" and reminded me of Kenneth Jay's part of the RKC manual on building strength. So i went to have a bit of a re-read.
The rationale for volume by rep: Kenneth talks about the need to do lots and lots of reps at a weight that can be readily sustained for lots and lots of reps to build up the neurological patterns of what that move is. The caveat to this volume, of course, is that you have to know what the correct form is to be repeated. See that RKC instructor.
Assuming that instruction has taken place, the rationale here for upping volume as half the strategy to strength is that this repetition neurologically groves the pattern of performance for building up the weight. To this end, Kenneth has Low Volume and High Volume days: lost of reps at lighter weight for grooving the pattern vs fewer (perfect) reps at higher weights to develop load.
Patterning is important. I've been focusing on the importance of patterning within z health practice - in terms of healing movement patterns, and taking those patterns from the level of conscious effort to unconscious habit. Over the weekend, i'd decided to focus just on my suitcase dead-lift form with KB's, using the EDT 15 min approach: the sDL's for the first exercise; floor presses for the second. For the sDL's I used a weight about half of what i usually use for such sets, just to focus on rep quality. The main points of concern, like that front squat for hitting the target meant correct head and eye position throughout the move, correct knee position, correct hip hinge, correct butt backness, and doing all this with bone ryhthmn. That's a lot to do. The cool thing that happened was that when everything was firing together, the rep simply felt better: more effective, more efficient, like all the parts working as one thing rather than as a bunch of joints and muscles trying to achieve something. Sadly by the time i was actually finished the 15 mins, and the sets of 5 reps were starting to really connect, (a) the time was up but (b) i was just starting to feel fatigued. Good time to stop, right? And keen desire to do it again. Oh, and i felt that workout the next day, too.
It's funny how when you need to hear something, you keep hearing it over and over, eh? At least i find this. It's like the opposite of a nightmare where you keep having the same monster, only bigger, until you stop turn around and look at the monster and say "can i help you?"
An Example of Rep Volume in Action. The Sneaky sneaky Way of the RKC. It was in the afternoon, after this morning workout, that i had the meet with Al and his recommendation of "lots of reps" and a reread of Kenneth Jay. And in rereading that section, i recollected one of the most profound experiences of the RKC cert: connecting with the swing. Indeed, i had a revelation of what the hardstyle swing form was, compared to how i'd interpreted and executed previous instruction. I felt i *got it* from "firing the lats" to getting the energy down into the ground. it was ah ha, ah ha, ah ha. I left the cert feeling pretty good about that swing, and could hardly wait to share these refinements with others.
How did that happen? Repeated instruction i'd thought and such attention on form over several days, but - i see it all now - the other key ingredient: lots and lost of reps. LOTS. Sneaky sneaky. Every 20mins over three days a timer went off and we were doing swings. And those were just the regularly scheduled ones. Any opportunity for pause was filled with swings, using a bell weight that enabled a perfect rep from first to last. So combine that volume with constant supervision to tweak and correct form, yes we'd better leave with a dang good sense of the swing. The other day i was quietly delighted when i was demo'ing a swing, the trainee laughed. I asked why. He said "well it's so right - the swing - that's what it's supposed to look like." With the instruction, it's the reps, isn't it.
Putting it together: More Reps Are Alright, Jack.
It's taken me till today to put it together that it's just this type of volume with focus on form that, ya, does embed the move in the body. And more, it does provide the basis for increasing the load, just as KJ and Pavel have said. As proof positive, half way through the cert, with the encouragement of team assistant instructor Lynda Angeles, i was double swinging 24s with proper form. That effort with that load would not have been possible - it was certainly not imaginable - prior to this halfway point in the three days of swings marvelous swings.
The take away at least for this first step towards a perfect rep, of Hitting the Target, is indeed doing what it takes to get in the volume of reps. This is not using a sissy weight. Pavel would not have let us get away with this during the RKC, but as KJ says in the RKC manual talking about presses: using a weight you can do for 5-15 reps, and if you're doing 15 reps, your high volume day better be 200/side.
I used to think of light days as just a way to keep effort alive and not burn out from higher work volume. Ho hum. I now find myself energized and looking forward to these high volume lighter weight days as an opportunity to have that form *click* in those moves where i've had instruction, and can monitor myself to feel that connection.
Hope if you've had questions about the role of volume of reps, these reflections might help you too experience where the path to the perfect rep, after instruction and knowledge of proper form, is aided immensely by rep volume.
Note: do look at Mike's comments below on fascial adaptation - and the recommendation to change up trunk positions for HIGH volume (thanks Mike).
Book Plug: Kenneth Jay in the New Year. Now if you don't have an RKC certification manual to read up on Kenneth's approach to the press, fear not. A book is coming in the new year to focus says Kenneth on, perhaps not surprisingly, the perfection of the press, the pistol and the pull up. In the meantime, happy repping.
update: the quest for the perfect strength rep through volume continues, charting the course here. Tweet Follow @begin2dig
Subscribe to:
Posts (Atom)
COACHING with dr. m.c. 
