Thursday, August 12, 2010

The Eyes Have It - sometimes: using eye position to enhance strength

ResearchBlogging.orgI was fascinated by Geoff Neupert's article in the latest Power by Pavel Newsletter (issue 209, 08/09/10) about his experience using eye position in the press. Geoff is the author of Kettlebell Muscle. Absolutely awesome to see eye position highlighted in relation to how that action can support movement practice. That support is rather dependent on where and how in a compound move it's being used, and also what else may be happening in our somato-sensory systems. So let's look at eye position and postural reflexes and how they support muscle action a little more.

Geoff writes:
For the last four years, until recently, I promoted a neutral head, eyes down posture for presses and jerks, thinking that this would increase flexion at the shoulder and therefore increase shoulder mobility and allow for the weight to go up easier.

Geoff reports that this didn't work for him. When we understand the roll of vision in position,  that result is not surprising, so we'll come onto why. He then proposes a revised move with a different head, jaw and eye position: the neck back a bit, chin up a bit and eyes slightly up.

Geoff says of this approach:
I then corroborated my findings with what the absolute best in the world do, confirmed my position, applied my "new" techniques, and started making progress once again.
This is excellent: Geoff tested the move to see if it worked better for him, today. Testing a technique is critical as adaptation is pretty individual; testing that neutral head / eyes down thing sooner might have been a good idea too for addressing four years of press frustration.

For more ideas on how to train these eye muscles,
see Eye Heatlh: How Fast can you switch focus?


Test Early; Test Often The key thing to me in this article is that Geoff did "test" his new approach: did it improve his press? he says so an i believe him. Yet while he proposes a new technique for his press, and has some interesting theory to support it, whether or not that approach will be universally successful may be as likely as eyes down through the lift was successful for Geoff. May be. Dunno, maybe.

The take away from this story, at least for me,  is less about a new technique that will work for everyone and more about: test it, because what works for you mayn't work for me, or for you later today, no matter how well we hypothesize why something works after the fact.

Let me step back a bit and say here's why i'm not surprised by GN reporting that eyes looking down *through the whole press* would likely/potentially not be a good idea: there's more going on than shoulder flexion in the press.

Eye Position and Reflexes when Reflexes work. Let me back up even further and say that the eyes are tied to reflexes that support extension, flexion, adduction, abduction, rotation. By reflex we mean involuntary automatic and near immediate response to a stimulus. Intriguingly, sometimes these reflexive responses can get buggered up, (and with the eyes, have particular effects on posture, among other things) but more on that anon.

When things are working right, we see looking down triggers flexion, looking up triggers extension looking in one direction triggers complementary adduction/abduction/rotation in the direction viewed.

Eye position is then used to complement/strengthen what can most benefit from that reflex. That may change throughout a lift. And what if while one thing is extending something else is flexing? What do we need help with the most? We'll look at an example to try in a sec.

Strengthening what needs to be strengthened throughout a lift

As an example of how eye position might change in a lift, let's take a look at the example from Geoff's article, the kettlebell press. The press is a rich movement: one may need eyes down to support shoulder flexion at the beginning of the lift coming out of the rack, then eyes towards the horizon and looking at the bell when the delts are at the weakest point, so strengthening rotator cuff movements, and post sticking point, eyes up to support the triceps extending (thanks to conversations last year with Zachariah Salazar Z-Health Master Trainer and RKC on these multiple positions in the press). In Pavel's pressing, as RKC Ken Froese pointed out to me, his eyes seem to follow the bell throughout, which may be great for someone with even strength, but not for someone with say a shoulder issue.

So keeping eyes down throughout the movement may be less productive for some people if where the weak link in the move shifts, and changing eye position will enhance that.

Try this at Home: A chin up (hands supinated) uses extension of the shoulder/lats firing, but it also uses elbow flexion (biceps coming into a curl). So what needs more help for you in a chin? Best way to find out: test either/or positions, depending if one's weaker link is shoulder extension/lats (eyes up) or biceps flexing (eyes down). Try both: what works better for you -when? Which is which may change as training progresses, or for just about any other reason, as we'll see below.

When reflexes seemingly aren't firing normally
Why would a doctor whack a knee if a reflex always fired as it was supposed to? We wouldn't need to test something that always works one way. Same thing with eye responses as demonstrated in what are referred to as postural reflexes, richly informed by the visual (and vestibular and proprioceptive) system(s):
Visual and vestibular input, as well as joint and soft tissue mechanoreceptors, are major players in the regulation of static upright posture. Each of these input sources detects and responds to specific types of postural stimulus and perturbations, and each region has specific pathways by which it communicates with other postural reflexes, as well as higher central nervous system structures.
There's even work to suggest that blinking or performing visual sacades may improve postural stability.

Sometimes due to trauma or sometimes a long flight and jet lag, one's postural reflexes get really muted or actually cause the inverse effect reflexively in the body. There are tests for this (if you visit with a z-health certified coach who's done i-phase, for instance, they'll know these position/vision tests). The important thing to get is that our muscular responses - things as seemingly simple and immutable as flexion and extension - are intertwined with the somato-sensory system (visual, vestibular and proprioceptive function), and that these intertwined systems are constantly dealing with various stimuli. As Reiman and Lephart found in 2002:
Motor control for even simple tasks is a plastic process that undergoes constant review and modification based upon the integration and analysis of sensory input, efferent motor
commands, and resultant movements.
We occaisionally really get how intertwined these actions are if we ever have an inner ear infection, or find ourselves experiencing sea sickness or dizziness

Obviously, if one's visual responses to a direction are screwed up (say looking down doesn't strengthen your bicep curl, or cue an appropriate postural reflex), then using your eyes in a movement in that direction is also likely not going to help - in some cases it may seem to work against you if your body doesn't like that eye position, performance is going to suffer - until the thing gets fixed. And it is addressable.



Repetez après la model: Test It. So rather than getting super prescriptive about what will achieve what, great to have some heuristics about reflexes and eye position and of course form. But great too (a) to be sure to be able to refine application - like multiple eyes positions may be needed throughout a move and (b) to know that those reflexes are working as designed and (c) just test it.

If an eye position doesn't work - doesn't provide a performance boost or takes away from one - try something else. And if in a simple move like a biceps curl where eyes down should make that curl stronger and it doesn't work, maybe check with that qualified coach who knows how to work with these positions in case it's either a technique thing or something else that may need a bit of work.

We are Complex Integrated Systems There are 11 systems in the human being. They all interact with one another, from our skin to our reproductive system. There's no way we're going to be able know, a priori, what will unequicoably work for ourselves, little own everyone at all times. only salespeople seem to make such unequivocable claims about their products - it slices; it dices. always for everything. Really? What other domain is so certain?

In my main domain of human factors, this is why we can't make claims about the effectiveness of an interface based on how it works for ourselves alone, but have to test it rigerously so that we can say with some statistical power that it is effective to some degree, and even that is constrained like: for people aged x-y with these particular skill sets, they were able to use this tool to complete this task A% better than the previous tool design. Without that - even though we've developed that design with the best models of human performance from motor control to cognition available to us - the best we can say in our domain is "we liked it; why don't you give it a try and let us know if it worked for you."

Broken Record: Test it. Frequently, regularly. Vision is a potent system - the top of the somato sensory hierarchy. Makes sense that when it's firing well, it can help our other systems respond well. To use eye position to enhance a lift, therefore, means testing the eye position to see what action in a lift may need that enhancement - presuming that our visual reflexes are working as they're supposed to work. So again, if eyes down doesn't enhance that biceps curl, may be time to check vision, too. If it is, check eye position with the move. Test various positions through the move.

It's a really simple principle. It means having strategies to deal with a weak result to help make improvements. but at the very least it gives us information about tuning what we're doing.

Citation
Morningstar, M., Pettibon, B., Schlappi, H., Schlappi, M., & Ireland, T. (2005). Reflex control of the spine and posture: a review of the literature from a chiropractic perspective Chiropractic & Osteopathy, 13 (1) DOI: 10.1186/1746-1340-13-16
Riemann BL, & Lephart SM (2002). The Sensorimotor System, Part II: The Role of Proprioception in Motor Control and Functional Joint Stability. Journal of athletic training, 37 (1), 80-4 PMID: 16558671
Rougier P, Garin M (2007). Performing saccadic eye movements or blinking improves postural control. Motor control, 11 (3), 213-23 PMID: 17715456

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Saturday, August 7, 2010

Do we enjoy *all* our workouts? Why not?

Have you noticed that once we get into working out - way to go developing that habit - we can get pretty intrigued about what amounts to minutia relative to the rest of our daily minutes? That that intrigue can actually stop us from action, or take the joy out of our movement because it didn't match the plan? Maybe it's just me, but it seems the detail can get in the way of the Big Joyful Picture of I can move and ain't that grand.

You know the questions i mean, don't you? Should we eat BCAA's or Whey protein for post recovery? do i have a shake before or after a workout or both? Do i take the creatine before or after the workout? Do i rest for 30secs or 2mins between sets? Should i work out in the morning or the evening? Is it ok to run if i'm lifting weights and trying to mass up? I am totally THERE. oh yes.


While these things are all very interesting, for sure, and can be fun to think about, and play with, and all be part of the learning experience of getting keener about our practice, they can also be pretty intrigued, eh? I mean, how many of us workout to the degree that we really notice a difference if we do a recovery shake before or after each workout, each and every workout?

Does this give us joy? Is this what keeps us working out, or does it block us? I wonder if we mayn't be concerned that if we're not "serious" - if we're not gritting our teeth in every session, or falling over dead - that we haven't worked. The number of folks i hear just getting back into fitness doing something like p90x, celebrating on twitter that they "made it" through another workout -i've been there, the: unless we beat ourselves up, we're not working/getting better. I drove my family crazy with "must do my session whatever" - at all costs.


Is it maybe more important to stay well nourished all of the time, well rested all of the time - know how to check if our workouts are taxing us overly or just right - while we're doing them - and stay moving well and out of pain, all the time? Rather than intrigue over rep counts, powders, and nth degree data to get the perfect routine? How and where do we learn this?

That's sort of a related thought.  This doesn't mean goals for our health and fitness can't be valuable, and i've enjoyed re-certifying for previous skills/strengths or getting cleared by qualified coaches to teach new ones, in the "do i know what i'm doing and can i help others achieve these things?" space. And going up for competitions to reality check oneself can be cool too. Dandy. Work hard; train for that goal. Super. Does my identity in some small (or not so large) depend on making that goal?

Another related thought: Do we put the same care and attention into the rest of our lives that we put into these workouts? Now wouldn't that be amazing. Or do we need to get back to the big picture in both? After all, we know so little about the minutia of tuning ourselves. The only constant seems to be, we need to keep doing it - something, anything - consistently, with good food and good recovery. Most after that are strategies to Know Ourselves within those general principles, but are still approximations.

Fun, pleasure, joy. Things we do need to add to this, right, not take away from it? I know a trainer, Kira Clarke, who says every workout is a joy, and i believe him (and he gets to punch people and be punched. And he's smiling). He even has a humour section on his site. Then there's Shannon Mauck, long distance runner, triathlete. Joy exudes from his pours. It's a little freaky.

Then for cutting to the chase, there's Rannoch Donald, Monk of the North of Simple Strength with his 100 Rep Challenge and Sunday Service: Let us Play.

I'll even suggest getting some frisbees and a field even make geeks happy. Finding ways to move more, not just restricted to what we usually consider "working out."



There are so many things we can do to move, feel well, do better that help us feel better all the time that seem to intrigue less and joy more. Who knows, we might even get well-er, fitter, stronger, faster at the same time.


This rich variety is a surprise to me. It's something i learned about on a course recently about Strength and Suppleness. We were shown how doing these itty bitty gestures with a stretch band adding just a wee bit of resistance brought most of us to our knees in effortful work.  And then there was the post-work daily play. I watched Z-Health Master Trainer Freddys X Garcia - who is v.muscular - do dips and then duck walk across the floor as his workout with Trainer John Mendes. This is Mr. Hypertrophy's workout? Dips and Ducks?

A few of us thought that looked like fun, and started doing the duck walks beside Freddys - it was work - but at least two of us were laughing while our legs started to burn.  This actually turned into a bit of a Systema ground work session with Leah Davison on how to move fast and low. Total surprise to get new knowledge within the context of these wee moves.

That we have so many choices - not just about the workout reps we do, but what we do any day. That too is a kind of quality.

The Perfect Rep. Pavel Tsatsouline talks not about workouts or training but about Practice. We practice our perfect reps.

Perfection requires a certain quality. I've thought of that qualtiy as being perfect form. But we are more than muscle and bone; we have more qualties and we bring these to everything we do.

Do i honour the perfection i seek to bring that lifeful of joy to every practice i undertake. I used to joke, "to press the kettle, we must love the kettle" - but i think that may be truer than i knew: whether that's to throw a frisbee, or press a kettlebell (i'm still reaching for that 24) or deadlift twice my bodyweight, or run faster the next time i do that hill. Or just promise to enjoy each step up the hill. That is also practicing perfect QUALITY in a new way. If that full on qualtiy of rep is just as important as its form, i may have to listen to myself more closely. Ensure that when working hard i'm pushing just right not too far. It's a discipline in itself. Am i strong enough not to rush but to be perfect?

Hard to describe, you know? We can choose to do a few fewer reps; we can choose to do isometrics instead of lifting heavy. We can choose to go for a run or pull a sled. As Threat Modulation coach Kenneth Jay said to me recently "Do you smell smoke? That's my brain"

Meditatus Radix. This may not be how many people want to practice. We are impatient and want to get there. I'm not sure how well i'll do at it either. But i do know that all the folks whose council i respect, with the possible exception of one person,  are also really jacked up or recovering from same. So maybe something else needs to come into the mix too? 

Life's rich pageant. Perhaps going for delight, for joy, for full QUALITY of perfection in our strength we will arrive stronger, more resilient and happier? Dunno. I'm still kinda stunned by the possibilities there. But they seem promising.


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Thursday, August 5, 2010

More Beautiful Swing(s): Franz's Picks of Exemplary Beautiful HardStyle Kettlebell Swings

The kettlebell swing is a foundational movement to work with a kettlebell. Despite it's status as the basic kb move, it's also a whole lot more: it's a potent full body movement that can be used for work from strength/hypertrophy (a la Geoff Neupert's latest "kettlebell muscle" DVD and program) to lactate threshold work (like Kenneth Jay's Viking Warrior Conditioning) to endurance (my own humble running the bells as one of multiple variations). As a dynamic movement, it taps both coordination and these various kinds of strength in motion. It is a foundational move, but it is a powerhouse. Put together with the Turkish Get Up, it is a complete health program (as described in Enter the Kettlebell). Practiced well, it is also a beautiful, elegant movement.

Franz Snieman, RKC TL,
one hand swing
set up
A couple posts ago, i did an interview with Franz Snideman about the hardstyle kettlebell swing (the version taught in the RKC) as something worthy of practice towards  achieving that Beautiful Swing.  I asked him for examples of other Beautiful Swings. He named RKC TL's Delaine Ross, Keira Newton, Dennis Frisch, Dustin Rippetoe, Jason Marshall and Master Trainer Brett Jones.

These folks have kindly agreed to contribute a vid of their swings, and a few notes on their Swing perspective and offer some of their fave tips coaching clients. I'd like to thank Franz again, and each of the RKC's in this post for offering these resources so freely. Here we go

Beatutiful Swings in Motion
(geek note: sorry this is such a FLASH based post. When HTML 5 takes over, all browsers should be able to see vids without plugins)

Dennis Frisch, RKC TL, Denmark.



Micro Interview: At the time of the interviews, Dennis was on a well-deserved break. As soon as he's back, i'll slot in his thoughts on the swing.




Keira Newton, RKC TL of Dynamic Strength Kettlebells


Micro Interview with Keira on the Swing:
1. where or when does the swing fit into your own practice?
When does the swing NOT fit into my practice, may be the question. I use the swing in almost every training session that I do. It is fundamental to kettlebell training for me.
2. what is the most common thing you would say your clients need guidance on with their swings?
I am not sure that I can say there is one common thing. There are often a variety of things that I see people do, and to take it further, a varitey of combinations. Some of the most common are:
  • Squatting too much, not hinging at the hip
  • Not finishing with a strong hip snap, and, or not engaging the glutes at the top.
  • Timing! usually, a new person will think that they need to pull the kettlebell with with their hands, forgetting the essential hip snap. They also tend to forget that everything needs to lock into place at the top of the movement. On the flip side, they will pull away from the top of the swing too soon and lose the lat tension.
  • Rounding the spine.
3. and what's the tip you find helps them tweak their swing best?
One of my favorites is that the swing is not an up and down (vertical) movement, it is a back and forth movement (referring to the hing at the hip). As a side note, I use a lot of different tips, because people learn in different ways and do well with hearing things in a variety of ways.


Jason Marshall of LoneStar Kettlebells (a real Texas Marshall)



1. where or when does the swing fit into your own practice?
For me, swings are used as a warm up tool, assessment tool, and conditioning tool.  I'm not accustom to cranking out a ton of swings since it would be counterproductive to powerlifting, but I do like getting the occasional ETK set.  I mainly use them as a warm up exercise to get the blood going and that allows me to assess how I'm feeling before my workout.  I also use them on my GPP days. 

For clients, it's a different story.  The swing is everything...next to the get up. 

2. what is the most common thing you would say your clients need guidance on with their swings?

I have to remind them to stay tall in their posture at the top and not to jut their chin forward.  A tap with my finger on the crown of the head or a visual cue usually does the trick, as well as saying "tall posture".  Also, getting the bell out of "the hole" or the hike position....keeping that transition quick is key to the explode/relax balance of the HS swing.
3. and what's the tip you find helps them tweak their swing best?
Wall squats and stick deadlifts for most, but it really depends on the mistake and who's swinging.
bonus - any other wee note about the HS swing you'd like to share?
I've battled it out with the CF'ers on the "American Swing" and once they see the reasoning behind HS and feel the power and balance of it, it makes a lot more sense to start and master HS.  There could be a place for AS, but it's a small window of practicality and too much risk for the reward.  Start with HS, progress to snatches...THEN you might try some American Swings for some ballistic work.  HS swings taught through the RKC are by far one of the most effective exercises for any application across the board.  I can't really think of anything or anyone who wouldn't benefit from some form or version of it.
Delaine Ross, RKC TL, of Condition, Inc.



1. where or when does the swing fit into your own practice?
  Right now, I’m following Neupert’s Kettlebell Muscle and incorporate double swings twice a week.  Before, when I wasn’t following a “book” protocol I would do Whitley’s “The Furnace” workout at least once a week – it’s basically dissected get-ups with swings in between.
2. what is the most common thing you would say your clients need guidance on with their swings?
Hmm. In the intro class we cover a good many:
  • -Not being explosive – trying to do it slowly to try to do it correctly when that’s pretty much impossible (then go over biomechanical breathing)
  • -pulling with their arms (towel swings)
  • -letting the bell fall too close to the ground (center hiking to the quarterback analogy)
  • -squatting instead of hinging (box squat)
The best overall teaching cue I have used I stole from Doc Cheng: Imagine that you’re punching a heavy punching bag with your butt then jumping without leaving the ground.
3. In your swing one might say, from the side, that you're cranking your neck back but that just can't be. What's happening with your head in your swing.
I use the “look on the horizon” head position instead of exactly neutral. And it’s mainly because when people see my “neutral” and they dot have body awareness (when they begin) then they exaggerate the neutral and end up with a rounded back.

 Dustin Rippetoe, RKC TL, from wayofstrength.



1.Where does the Swing fit into your practice?
My Swing practice has be interesting this year. I have pursed it in a more GTG fashion 10-20 heavy reps here and there as the opportunity presents itself. I have been experimenting with stance, forward knee allowance, head position, and letting the 'bell float a bit more (hence the higher "top"). The swing has become this year what the TGU was last year...a lab.

2 &3 Usual Pitfalls & Favorite Tips
Depends on client of course. Beginners tend to have little root and we work on getting them the desired heaviness. With that said, the static stomp deadlift with an emphasis on the lockout. Define the end point and the middle tends to take care of itself. My other favorite drill is letting victims swing three times and release on the fourth swing. If done well all the energy should go into the forward trajectory of kettlebell not knock them off balance.
I train a lot of RKC's and RKC hopefuls. These same folk tend to overemphasize the tension at the top and lose the ballistic aspect of the swing. What Brett Jones calls "Ugly style"  The biggest tip I have been sharing with them is to "let the 'bell swing you" or Jeff O'Connor's tip "let it float." 

Brett Jones, Master RKC, author, start of multiple kettlebell and now Indian Club swinging videos.

Brett has been on the road of late like mad, and sent these through while making a home touch down. Thanks Brett.

First, two hands, then single hand to hand





Summary: 
From these examples we have many heights, body sizes and limb lengths, but lots in common.
A beautiful swing is a move that lets the hips drive, for forward move and pull back; that gets the butt back to feel the hamstrings load, keeps the back flat, the neck in neutral. The knees do not move too much ahead of the ankles, the bell floats a bit at the top and drives back fast in the last part of the swing and then forward with power from the loaded hips.

Also, from looking at these, it might be more possible to get a sense of why a good coach, particularly one trained to work with whole body movement, may be able to help you unlock your swing, and thereby help all your movement. Love yourself: see a ck-fms or z-health certified RKC.

With practice and good coaching, you can tune your kettlebell technique to rock. With a clean swing, the foundation is there for an infinite variety of training options.

Thanks to all the folks who contributed.





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Sunday, August 1, 2010

Bendy bits should bend in full range of motion, speed and control, right? So what's this mobility/stability dichotomy?

Mobility/Stability. I confess i don't get what's meant or how this increasingly popular distinction between mobility and stability came to be seen as useful. I'm prepared to believe it's my problem, and sometimes as writing helps me work out such issues, forgive me while i lay out where the gaps seem to be in my understanding of the framing of movement as mobility/stability rather than simply a notion of movement, and ability to control ranges of motion at ranges of speed.



Here we go: Of late i've seen a number of intelligent people assert with what seems like good reasons that some joints are seemingly a priori meant to be "stable" while others are meant to be "mobile." Consider the fist article in this set kicked off by Mike Boyle,  a well respected and established trainer, called A Joint by Joint Approach to Training. In this pieces, and many related articles, work by Stuart McGill on the low back is cited: in particular, McGill's findings that flexion is the root of most low back evils, and that sitting is the worst place to be of all. This is pretty compelling stuff. Seems to make sense.

But then there are seeming contradictions within this: in his discussion of the knees, not the back, Boyle sites McGill's reason for low back pain that it isn't perhaps so *much* flexion, but overuse. When other stuff  - like the hips - get stuck, the back pays.  So in that sense - the lumbar spine and knees should be stable, but the hips should be mobile?

The problem i find in this is that the arguments seem to suggest that pretty much all the time the lower spine should be stiffened up and the thoracic spine and hips loosened up - for instance. Mike Boyle goes so far as to ask "is spinal rotation even a good idea" He quotes a lot of work by a physical therapist name of Shirely Sharman who in her view suggests that the abs are there to stop so much rotation of the lumbar spine then that's what they should be doing.  Boyle's issue seems to be that too many trainers concentrate on lumbar stretching when, citing Sharman "rotation is even dangerous" at the lower spine. He points to sprinter coach Bob Ross who did isometric work with his spinters in the abs, abandoning other forms of spinal movement work and how that was a positive thing for results.

Ok, but what do most sprinters do? Run. In pretty much straight lines. So maybe holding the spine in line and upright for 10-30secs is a good idea. In that case. That particular sport-specific constraint doesn't come up.

Rather, Boyle says he's chucked a lot of exercises designed to extend trunk range and seems to find less complaints of low back pain in clients since doing so. And that's cool. I'm not sure, however, that that means that that work  has made his client's backs more stable - it just may mean that stretching a body part beyond its comfortable range of motion is painful or causes neuroligical shut down by pushing inappropriately, and that stopping doing something that hurts will reduce pain?

In other words, i'm just not sure that eliminating a set of kind of questionable stretches is therefore "decreasing mobility" or "increasing stability" - it may just be avoiding inducing threat.

And as for rotational work, surely the lack of it is one of the greatest weakness of most of us who train especially or exclusively at lifting heavy things? We tend to stick to pretty a given plane of motion for a movement, and forget about diagonal and especially rotational movements.

Pavel Tsatsouline demonstrating the
Full Contact Twist in Bullet Proof Abs
One of the funest ab exercises is surely the russian twist (seated) or the Full Contact Twist with the bar stuck in the corner on the floor and the other end in the athlete's hands, arms extended, arc'ing back and forth?

Pavel Tsatsouline writes of the FCT in Bullet Proof Abs:
The best exercise for transferring the hip power into the shoulder, with a high interest yield, is the Full Contact Twist. This exercise was originally developed in the Soviet Union for shot put conditioning.
The then-nameless twist came to kickboxers' attention when a famous Russian shot putter failed to talk his way out of a mugging. This mild mannered man got annoyed when one of the attackers cut him with a blade. He ruptured the punk's spleen with a single punch.
Igor Sukhotsky, M.Sc., formerly a nationally ranked weightlifter and an eccentric sports scientist who took up full contact karate at the age of fort-five, popularized the twist among Russian fighters. This renaissance man noticed that the twist not only had increased his striking power, but also had toughened his midsection against blows by toning it up. Sukhotsky was so impressed with the Full Contact Twist, that he added it to his super abbreviated strength training
routine which consisted of only four exercises: squats, bench presses, deadlifts,
and good mornings.
It's interesting that Sukhotsky came to the value of rotation - moving across planes of motion - in moving from a more linear sport of weighlifting to the more richly plane-crossing Karate. It's also intriguing that it is a life event - a mugging - that fostered interest in this movement.



So for truly "functional" movement, isn't it better to train strength in rotation, as well as across a range of movement planes? In other words, why not focus on building strength across the entire range of motion of the joints so that we can be - as pavel puts it - bulletproof? And that bulletproofness seems to mean being able to rotate, bend and recover as needed - and as the joints give us the degrees of freedom to accomplish that movement?

The Kneee/ACL injury- not about stability or mobility? The ACL (and MCL) are the ligaments most often torn (or pop) in knee injuries. One might say that that's because the knees are not stable enough. Indeed, again Mike Boyle tends to make this case in his Joint by Joint article. But he also seems to move away from actually saying the knee needs stability by deeking out to say the problem is that the knees pay for lack of hip mobility. I'm not sure what the bottom line is here? He digresses into back pain rather than a discussion of the knee.

Gray Cook comes in to help in his Expanding on the Joint-by-Joint approach saying,
"The knee has a tendency toward sloppiness and therefore could benefit from greater amounts of stability and motor control. This tendency usually predates knee injuries and degeneration that actually make it become stiff."
He also states
Knees are simple hinge joints. They’re supposed to flex and extend, and when they rotate too much or move valgus or varus too much, we start seeing problems with the knee. Does the knee need to be mobile? Yes, but once it’s mobile, it needs to be stable enough to stay inside the proper plane of movement where its functional attributes are possible and practical.
Now Gray Cook is a knowledable phyiscal therapist who knows a lot about movement and how joints operate. He's also worked with a ton o' athletes and helped them restore function when others were ready to cut them open and write them off. So it's with respect that i wonder what's meant by 'mobility" with a "simple hinge joint"? What does a stable knee joint mean? That the femur stays attached to the tib/fib bones on the minisci? That it doesn't slide off to one side when it goes to bend? What?

I'm not making a joke here or being sarcastic. I'm really not sure what "the knees have a tendency towards slopiness" means in terms of real movement. All those ligaments are actually loose? Or does that mean one's leg muscles in say a squat aren't firing so the knee comes in (the Valgus knee). That's not really a knee issue though, is it? That's poor form such that the person hasn't been taught to work a better squat pattern, or hasn't worked on what may be inhibiting a good squat movement? And so they're putting strain on their knees by failing to keep good position. Too much load, and absolutely perhaps issues in the ankle and hip and upper back that need to be addressed.

But i'm not really thinking about such a static movement as the squat. Really I'm thinking of the mighty number of girls who have ACL injuries in sports in the states these days. One theory (gathering momentum) has it that the girls who have ACL injuries showing up in basketball don't have a way to balance their increasingly higher (as going through puberty) center of balance. Intriguingly, the comments from the researchers is not to increase strength training (for more core or knee stability) but to increase their prorioceptive (body awareness) training.

The suggestion is not unlike studies on sensory-motor balance training with athletes to see if progressive balance work could help reduce ankle injury - another common problem for field and track athletes. They found that, effectively, progressively training for the sprain through this program helped the nervous system not go into panic, and predicted injuries would be less.

To take a lessen from martial arts as well where one practices for the fall pretty regularly, how much attention is given to working with an athlete on end range of motion work - not just balance work but what might be loaded balance work at the place where we rarely go in our training - that end range where recovery from a sudden lapse or accident is hard and where injuries occur? Is that augmenting mobility, stability or does it matter? 

I go back to Boyle and Cook on the knees and back to their facesaying that these joints tend towards slopiness, and yet McGill (quoted by Boyle) saying no no, the low back in people with pain have stronger extensors than those without. So there's a lot of muscular strength around the low back already. The spine is *not* weak here (and by extension, one would say not sloppy if so much strength can be turned on?)

What's Going On? Where is this taking me? I'm hoping that Gray Cook's new book Movement will anser a lot of these queries. I'm looking forward to getting it, because right now the mobility/stability dialectic seems more problematic than helpful - at least to me. Here's why - and here's where i struggle with this as a model.

All the joints in the body have a pretty much well-scoped ranges of motion, right down to what the usual degres of movement are in each one. So why not simply be able to move all of these joints in these ranges of motion with strength and control as demanded by whatever that movement is - especially at the most vulnerable end ranges of motion?

Movement vs Mobility/Stability? Why not talk, therefore, just about "movement" (as Cook's book title suggests) rather than "mobility/stability." Is the question not really can one, for instance, hold a position for one particular movement or relax it for another? The knee needs not only to support the hinge with strength and power in say a basketball jump shot, but also needs to support the roll in with equal aplomb from standing to the ground - either when making a lunging tennis shot, or losing one's footing on a football pitch or simply getting pushed or in a fight getting from standing to knees to grapple quickly?

Perhaps there's an historical context i'm missing - Boyle talks alot about the "last decade" with too much stretching going on in the trunk and so life got too caught up on flexibility? Dunno, as i own i missed that part of the discussion not being in the space at that time. But maybe that's not it, either, as Paul Chek's Movement that Matters and his "primal patterns" seems to have been in play since at least 1999 (ie the last decade, plus), and that is likewise focused i think on movements?

Mobile when? Stable when? But again, i'm not claiming expertise of that period - it's a genuine question - it's just that i can't find the value add in framing our bodies as there's supposed to be stability here and mobility there, and if we get this thing more stable and that thing more mobile (implicit seems to be "all the time") then everything is Functional. Mobile when? Stable when? Are we talking averages? That on average of all possible movements, these joints are more often than not needing to be stable rather than mobile? And so we need to train for the average use case, rather than the range of uses?

Can you see why i'm a wee bit flustered? It's not a dichotomy that helps me when i'm working with clients to talk about stability or mobility because i guess i'm not sure what they really mean when put in operation. Our model reflects our practice, i guess, and i'm struggling with the mobility/flexibility as a model.

For me, mobility seems pretty good on it's own: mobility is the ability to voluntarily and actively control a given range of motion. For me, in my practice, it seems pretty important simply that we be able to control that movement through all ranges of motion, and all speeds, equally. If folks have restricted ankle mobility, not only does that potentially need to be opened up but strengthened as well. Strength and ROM seem to work together.

It then seems pretty important that if there's a gap somewhere we have the tools to be able to help find a way to address that weakness. And as Cook also notes, since the site of an issue is not necessarily  the source of the issue, the source of a weakness may be, as we've seen above, proprioceptive rather than musclo-skeletal, too. In other words, mobility and enhancing control of mobility seems sufficiently descriptive of the kinesthetic. And beyond this, if we do accept the site is not the source of an issue necessarily, it seems we need to take into account whatever other systems may be operating on us. From somato-sensory, to affect, to nutrition to, anything that plays on the 11 organ systems in our body.

For a bit of context, beyond the CSCS, RKC and Z-Health Certifications, i hold both the FMS qualification and the CK-FMS certification. One has to pass the FMS exam before getting to the CK-FMS quals. It's a fascinating course, and i'm looking forward to doing it again this fall because Gray Cook is teaching it with Brett Jones, and i'm sure two years after taking it initially, it will have evolved, and i certainly know a bit more than i did then, and Gray Cook has a lot of cool things to say. I am keen to learn more about this physiological piece. I confess anatomy is, to use Cook's phrasing again, the weaker link in my chain.

So i recognize i would benefit by being more au fait with kinesiology/physiology (hence more recent posts exploring things like the amazing shoulder, and kinesiology books used to assist practice with willing folk).

This article is not meant as a criticism of Boyle or Cook. I'm just saying, right now, i'm not grokking the mob/stab distinction. It seems to me both too extreme - these joints need to be mobile; these stable - and too unspecific - generally? specifically? Now maybe we're both saying the same things: have full range of motion and be strong in all ranges of motion and so be able to control all ranges of motion at all speeds. That would be cool. Then again, i'd say why not just say that? Since mob/stab can start to be heard as prescriptions: the thoracic spine MUST be mobile the lumbar spine MUST be stable.

I'm also saying that i agree with neurologists who talk about the somato-sensory system, and how that's just as improtant to be integrated into any discussion of movement, too.

So, as said, i'm perfectly prepared at this point to believe that the misapprehension is mine. That we are all on the same page. Just putting out there where i'm struggling. Perhaps some of y'all can relate, or have passed through this vale and come to a conclusion on the other side with more knowledge and insight. Look forward to meeting you there.

Best,
mc

Saturday, July 31, 2010

Tempo as bulletproofing - at how many speeds do we practice a move?

When we think about speed - we usually think about one direction: going fast. Acceleration. Explosion. But it seems there is benefit to rethinking a little bit the roll of speed in our practice in terms of what we want to achieve beyond or even within the faster finish, the bigger lift, the quicker 40.  Control at ranges of speed - including the super fast of the sport speed is skill work that may also not only make us better athletes but protect us from movement-based injury.

The Big Lift. If we lift stuff, we generally practice lifting at the speed we think best for our goals: in lifting we hear a lot about acceleration. Get up as fast as possible; put the thing up as fast as possible. Explode explode. And with good physics behind that: acceleration is part of Force, so the more we can get speed to ramp up, the more force the more we lift.

Men's Health Huge in a Hurry: Get Bigger, Stronger, and Leaner in Record Time with the New Science of Strength Training (Men's Health (Rodale))
The debates about speed optimisation for hypertrophy are legion: x seconds up y seconds down. What's best? Well, what are we trying to do? Me, for hypertrophy, i do like Chad Waterbury's Huge in a Hurry  with its use of a punchy tempo, sticking with that, and dropping weight if the tempo goes down (book overview by Waterbury). Waterbury's goal, he says, is to recruit as much muscle fiber as possible.

While Waterbury's article doesn't explain how that happens, here's an idea to do with energy systems and fiber types: faster muscle fibers (type II's mainly) that are used first in a fast burst of force can give lots of energy to power work. They're also the ones that hypertrophy particularly well.

 Those fibers, however, fatigue out fastest though. 10secs of work for Type IIa's; Type IId's go for about 30secs. As they fatigue other muscle fibers (Type I, slower but longer lasting ) come on. Hence  more sets: initial sets do the fatiguing with dominant one type of fiber; later sets get more muscle fibers, too but of a different type. Even with recovery of 30 secs between longer rep sets, we are only partially recovering that IId energy system - and that's a good thing: better fiber mix, better strength/hypertrophy response.

In other sports, too, it's speed that wins the race. Even in endurance sports, it's still who crosses the line first that counts. Very linear, these things.


So fast sounds great. Why go slow(er)? Control!
While there's a nice linear cross the finish line first in many sports, other games require other tempos to be available at all times, don't they? Scoring in baseball, football, rugby definitely has speed as a component, but it's not always the fastest person who sets up the goal, or scores the run, is it? Great tennis players are able to move very fast, but they are also able to control ball position to the opponents court at slower speeds, giving their oponent less energy on that ball either to get to it or return it. That takes control.


To attain that control, it seems we're actually using different muscle patterns.  Not only that, muscle patterns change with practice. IF we only practice at one tempo we will not be as comfortable or smooth or controlled at those different speeds, and so if that different tempo is required of us, we may not be as effective as we would like to be,  especially through a full range of motion.

By not training at different speeds, we therefore miss out on opportunities to get stronger, use a richer variety of fibers and, perhaps especially, have that advanced control of our bodies - something that comes in extremely handy when the ground shifts from under us either on a bouncy bus, or rolling over a divot in the grass, or making that weird pass around an oncoming player in an Ultimate game.


Finding the Weak Spots and Improving their Performance. While different speeds helps us learn how to control our bodies at different paces, and thus gives us a greater skills palette, we can also find holes in our range of motion control by practicing at a variety of speeds, where, what direction and at what tempo do we hit a movement dead zone for instance, where control seems to fall off? Let's bring some focused attention and practice to that part of the movement at that tempo.


Sloooow Speed for Skill Building. An oft-cited example by folks who love training at speed variety is Ben Hogan and his slow motion swing work. One of the best golfers of the game, with perhaps the most admired swing, he reputedly practiced regularly going through each part of his swing with intent, as shown below, with the miracle of youtube:


Even No Speed
Relatively recent research has also shown that mental imagery practice, while not effecting reaction speed, does effect muscle strength, power and work "signficantly."

Technique Challenge: use a metronome 

During the S-Phase Z-Health course (yup, S is pretty much for Skills for Speed), we did some great speed work that was about using a metronome to get used to working at differnt tempi than those to which we are accustomed (i.e. in a rut). Our practice was to do mobility drills to the tempo of the metronome.

Not too suprisingly, folks who dance or play an instrument seemed more at ease with the exercise, but even here, working outside familiar pacing (103 beats per minute, anyone?) was more of a challenge than standard quarters and thirds.

 Practicing Speed at all Joints and Loads of Angles
Z-Health's R-Phase (overview) and I-Phase programs (overview) are dynamic joint movement programs. The DVD's for each take us through each joint in the body and we do a sequence of movments for each to get the various ranges of motion. R-Phase does all the movements from neutral stance; I-phase gets going with a variety of stances and positions. Getting from R to I is a good idea for having the mastery to apply the movements to sport specific actions.

While the DVDs  show a single speed for each drill, the manuals describing the training programs for each make it clear that the drills are designed to be "owned" at at least 4 speeds from super slow to "sports speed" (really fast). Control control control. The brain maps not only position of where we are but how fast we're moving each part of us to get there. Practicing speeds builds patterns for managing actions at speeds.

Once these drills/speeds are owned, S-Phase: the Complete Athlete Vol 1 puts these drills into more loaded conditions for actual full body speed/tempo work.


Side Note: If you're intrigued by these progressions in control/speed for each joint ROM, the speediest way to get a primer in them is either the Essentials of Elite Performance 3day workshop (calendar here) or DVD mini course, distilled from the workshop (overview), if you can't make the event.

Summary
There are it seems specific speed combinations that lead to specific effects. Being able to use speed in a controlled way to achieve those effects is a Good Thing. But part of having control of speed at one end of the spectrum (the fast end) seems to be pretty tied up with the neural patterning that goes on to control speed at t'other end (very slow) too.

Adding in speed work - where speed means from the slow to the fast - as part of our regular practice may just be one more way to improve our overall well-being and bullet proof ourselves better against the unexpected - when that unexpected requires a movement response.

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