Saturday, March 5, 2011
Talent = opportunity + deliberate practice and lots of both: a review of 4 books riffing on K. Anders Ericcson's research
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Over the past few years there have been an intriguing number of books orbiting around the concept of practice vs talent for developing excellence in a given practice. The main ones are Outliers
, Bounce
, Talent is Overrated
, the Talent Code. Each of them touch on K. Anders Ericcson's research around building expertise in thousands of hours of "deliberate practice" as an unassailable ingredient for achieving excellence or at least expertise in one's field of endeavour (pdf overview by Ericcson).
It's the mistakes, Stupid.
Goeff Colvin may have been the first person to popularize what has become known as the "ten thousand hour rule" for developing expertise.
In October 2006, Colvin, an editor-at-large for Fortune magazine, wrote an article called "what it takes to be great." He asked the question - what makes Tiger Woods great? Raw talent? Nope. Starting with Erricson's work from 1993 and working forward, the evidence keeps coming: it's hard work, combined with 'deliberate practice' - that is lots of focused work learning in particular from mistakes. In 2009, Colvin had developed this article into a book focusing on the same themes.
In Talent is Overrated
, Colvin develops deliberate practice with multiple examples and case studies to explore not only how this kind of practice can be seen in sports, chess and music - ericcson's main domains of study - but how it might be applied to one's own environment at work. He emphasises that great practice is the focus on the errors, the mistakes, and learning from these by moving into a kind of personal uncomfort zone (i feel that way working through math problems, and yes working and working my uncomfort zone is the only way through. dang). Error work becomes more effective than rote repetition without errors.
Conencting the Spark with the Drive: The Talent Code
In 2009, another book riffing on Ericcson's work came out. In the Talent Code
, Coyle begins by covering much of the same territory as Colvin. He renames deliberate practice deep practice. From here, Coyle's questions take a slightly different spin. Coyle's curiousity is to explore where greats got their reps: where did they find the spaces that let them get all that deep practice? His second focus is to try to zero in on what's happening to us when such repetitions are undertaken. A thrid focus is to look at how one can get fired up to take on deep practice - a concept that he calls "ignition." Related to ignition is "master coaching:" what are the traits of great coaches that can set the spark and direct all those reps.
So while Colvin first brought the ten thousand hour rule to the popular press, Coyle may be most associated with mylenation:
where fat is laid down around axons in neural connections of particular pathways to privilege those pathways for particular skills acquisition. The better a path is mylenated, so the research seems to read now, the faster/more efficiently we can access those pathways for that particular skill. Coyle is the hero of mylentation.
Outliers: Basic Sociology Undercutting the Myth of the Self-Made "MAN"
While the stories of reps, coaching strategies and the grittiness of high-rep environments are in the Talent Code, for the most part, Coyle just looks for the environments that have fostered great performances in sport and music and chess. Coyle doesn't spend much time considering for instance the economic backgrounds of some of the athletes vs some of the musicians. Malcolm Gladwell's 2008 Outliers
is less neutral about these environments. Gladwell gets right into that space to push on what informs the success of those who seem in some spheres to rise above the rest - the myth of the Talented Sports hero or of the Super Successful Business Leader.
Right Place at the Right Time. What Gladwell does is pull together basic sociology research on social position in particular, and stats relating to these findings to look at: who gest access to what kind of 10thousand hours of deliberate practice. What one gets, Gladwell concludes, has a lot to do with being in the right place at the right time, mapping location, to situation, to moment in time to affluence to birthdays to get the right ten thousand hours or not.
One of the most salutary effects of Gladwell's work is to show, right from page 1, how much of that access is down to luck. To make this case, Outliers
features people we tend to think of as amazing and extra special who must be extraordinary people. Instead Gladwell makes the cast that, what is extraordinary has been the perfect storms of their opportunities. Bill Gates is a prime example of someone with the nascent smarts and tenacity but also with the right early affluent access to computers at the right time: when they were rare to get the reps in - before anyone else did or could in order to have that special competitive edge.
Gladwell points to clusters of people with similar opportunities for different industries and different times. Bill Gates and Bill Joy are two in computing. The page 1 example in Gladwell? The chance of birth in the hockey/football systems that means boys born in one part of the year have a significantly greater chance of success in their sport than boys born at another - just because of the way the selection system works. And the way it works means that those kids born outside that annual period will have vanishingly smaller chances of getting in those precious reps in the time frame necessary to advance. Outliers for some is not an easy story to here: it doesn't say that anyone can do anything; instead it shows how really often indeed the stars must align to provide the right opportunity at the right time to get in all those reps. Luck, accidents of birth to put us in the right place at the right time - it seems have way more baring than genes.
Bounce: Practice rather than Genetics Makes Exceptional Approachable
In 2010's Bounce Matthew Syed likewise highlights the role of particular factors that just accumulate to create the exact conditions to support championship reps building. This focus is one of the attributes that sets Syed's book apart: he's not one of the creatures in the bell jar of other authors looking on at a phenomena: he is in the bell jar; that has been his world; he is that expert.
He talks about his own career as a national table tennis champ, and how many table tennis champs of various rankings in the UK came from not just his town but his neighborhood and not just his neighborhood but more or less his street. He traces the influence of one teacher in one school that had the effect on one area to develop a nations' champions in a sport. The existance of a given garage with a table tennis table in it didn't hurt either.
Here, an interest in a game plus some cheap equipment combined with excellent guidance for tons of reps in a regular brit neighborhood turned into just the right mix for a sport. With Bill Gates and Bill Joy (of Sun Microsystems), the access to gear and opportunites was a little more rarified, more social class dependent. Or date of birth dependent if we talk about hockey players or football players.
Enough with Racial Superiority Myths. One of the most compelling parts of Bounce is the final section on the supposed "must be genetic" superiority of "African" runners - whether marathoners or 
sprinters - as what is surely demonstrated by "their" dominance in sprinting and marathon events.
First, the book shows that yes, champion sprinters at the olympics and related events have largely been from West Africa and that the Marathoner champs are largely from Kenya, but, as Steb shows, not just anywhere in Kenya, but Nandi, a particular area within Kenya. He then shows the research that took apart the claims that This Must Be A Race/Genetic Thing leading to all these wins. Instead, the research looking at the genes of champion runners over decades is that, far from having a special genetic profile, the Nandians for example share more genes in common with other (white) europeans than anything particular within themselves, and second, as for sprinters, a gene that is supposed to assist in sprinting is more often than not found in distance runners -- not sprinters.
Syed goes on to show that what Nadi does have is a need for kids to run sometimes up to 20km a day to get to school and back such that by the time they're 11, they've got the VO2 max capacity of an experienced marathoner.
Talent? Well ya maybe whatever that is, but what's unequivocable is the hours - and they're not countless; they're countable: there are thousands - that go into making each champ a champ. For every population where we might be tempted to say "that person is "gifted"" or it's in their genes, we miss the greater reality that above and beyond anything else, as Colvin shows from Ericcson, and as Syed's reviews of genetic research shows, it's practice - and tons of it - that makes perfect.
To get to that practice, however, as Gladwell's reviews of the sociology literature and interviews with these researchers show, it's also the opportunities to get those reps - right place, time, affluence, birth, connexions - that play a substantial role in the making of the exceptional.
We love to believe that we make our own opportunities; we hate to think of them as constrained by something as arbitrary as chance of a birthdate. And while perhaps nothing's impossible the research shows that far more relevant than talent is the complex of luck with the graft of deliberate practice.
Now to go do some of that graft with the math books...blick. And i guess that blick feeling is exactly right for success. Love your blick. Tweet Follow @begin2dig
, Bounce, Talent is Overrated, the Talent Code. Each of them touch on K. Anders Ericcson's research around building expertise in thousands of hours of "deliberate practice" as an unassailable ingredient for achieving excellence or at least expertise in one's field of endeavour (pdf overview by Ericcson).It's the mistakes, Stupid.Goeff Colvin may have been the first person to popularize what has become known as the "ten thousand hour rule" for developing expertise.
In October 2006, Colvin, an editor-at-large for Fortune magazine, wrote an article called "what it takes to be great." He asked the question - what makes Tiger Woods great? Raw talent? Nope. Starting with Erricson's work from 1993 and working forward, the evidence keeps coming: it's hard work, combined with 'deliberate practice' - that is lots of focused work learning in particular from mistakes. In 2009, Colvin had developed this article into a book focusing on the same themes.
In Talent is Overrated
, Colvin develops deliberate practice with multiple examples and case studies to explore not only how this kind of practice can be seen in sports, chess and music - ericcson's main domains of study - but how it might be applied to one's own environment at work. He emphasises that great practice is the focus on the errors, the mistakes, and learning from these by moving into a kind of personal uncomfort zone (i feel that way working through math problems, and yes working and working my uncomfort zone is the only way through. dang). Error work becomes more effective than rote repetition without errors.Conencting the Spark with the Drive: The Talent Code
In 2009, another book riffing on Ericcson's work came out. In the Talent Code, Coyle begins by covering much of the same territory as Colvin. He renames deliberate practice deep practice. From here, Coyle's questions take a slightly different spin. Coyle's curiousity is to explore where greats got their reps: where did they find the spaces that let them get all that deep practice? His second focus is to try to zero in on what's happening to us when such repetitions are undertaken. A thrid focus is to look at how one can get fired up to take on deep practice - a concept that he calls "ignition." Related to ignition is "master coaching:" what are the traits of great coaches that can set the spark and direct all those reps.So while Colvin first brought the ten thousand hour rule to the popular press, Coyle may be most associated with mylenation:
 |
| mylenation of an axon: repping in perfect reps |
Outliers: Basic Sociology Undercutting the Myth of the Self-Made "MAN"
While the stories of reps, coaching strategies and the grittiness of high-rep environments are in the Talent Code, for the most part, Coyle just looks for the environments that have fostered great performances in sport and music and chess. Coyle doesn't spend much time considering for instance the economic backgrounds of some of the athletes vs some of the musicians. Malcolm Gladwell's 2008 Outliers
is less neutral about these environments. Gladwell gets right into that space to push on what informs the success of those who seem in some spheres to rise above the rest - the myth of the Talented Sports hero or of the Super Successful Business Leader. Right Place at the Right Time. What Gladwell does is pull together basic sociology research on social position in particular, and stats relating to these findings to look at: who gest access to what kind of 10thousand hours of deliberate practice. What one gets, Gladwell concludes, has a lot to do with being in the right place at the right time, mapping location, to situation, to moment in time to affluence to birthdays to get the right ten thousand hours or not.One of the most salutary effects of Gladwell's work is to show, right from page 1, how much of that access is down to luck. To make this case, Outliers
features people we tend to think of as amazing and extra special who must be extraordinary people. Instead Gladwell makes the cast that, what is extraordinary has been the perfect storms of their opportunities. Bill Gates is a prime example of someone with the nascent smarts and tenacity but also with the right early affluent access to computers at the right time: when they were rare to get the reps in - before anyone else did or could in order to have that special competitive edge.Gladwell points to clusters of people with similar opportunities for different industries and different times. Bill Gates and Bill Joy are two in computing. The page 1 example in Gladwell? The chance of birth in the hockey/football systems that means boys born in one part of the year have a significantly greater chance of success in their sport than boys born at another - just because of the way the selection system works. And the way it works means that those kids born outside that annual period will have vanishingly smaller chances of getting in those precious reps in the time frame necessary to advance. Outliers for some is not an easy story to here: it doesn't say that anyone can do anything; instead it shows how really often indeed the stars must align to provide the right opportunity at the right time to get in all those reps. Luck, accidents of birth to put us in the right place at the right time - it seems have way more baring than genes.
Bounce: Practice rather than Genetics Makes Exceptional Approachable In 2010's Bounce
Matthew Syed likewise highlights the role of particular factors that just accumulate to create the exact conditions to support championship reps building. This focus is one of the attributes that sets Syed's book apart: he's not one of the creatures in the bell jar of other authors looking on at a phenomena: he is in the bell jar; that has been his world; he is that expert.He talks about his own career as a national table tennis champ, and how many table tennis champs of various rankings in the UK came from not just his town but his neighborhood and not just his neighborhood but more or less his street. He traces the influence of one teacher in one school that had the effect on one area to develop a nations' champions in a sport. The existance of a given garage with a table tennis table in it didn't hurt either.
Here, an interest in a game plus some cheap equipment combined with excellent guidance for tons of reps in a regular brit neighborhood turned into just the right mix for a sport. With Bill Gates and Bill Joy (of Sun Microsystems), the access to gear and opportunites was a little more rarified, more social class dependent. Or date of birth dependent if we talk about hockey players or football players.
Enough with Racial Superiority Myths. One of the most compelling parts of Bounce
is the final section on the supposed "must be genetic" superiority of "African" runners - whether marathoners or sprinters - as what is surely demonstrated by "their" dominance in sprinting and marathon events.First, the book shows that yes, champion sprinters at the olympics and related events have largely been from West Africa and that the Marathoner champs are largely from Kenya, but, as Steb shows, not just anywhere in Kenya, but Nandi, a particular area within Kenya. He then shows the research that took apart the claims that This Must Be A Race/Genetic Thing leading to all these wins. Instead, the research looking at the genes of champion runners over decades is that, far from having a special genetic profile, the Nandians for example share more genes in common with other (white) europeans than anything particular within themselves, and second, as for sprinters, a gene that is supposed to assist in sprinting is more often than not found in distance runners -- not sprinters.
Syed goes on to show that what Nadi does have is a need for kids to run sometimes up to 20km a day to get to school and back such that by the time they're 11, they've got the VO2 max capacity of an experienced marathoner.
Robert Cheruiyot of Kenya, left, and Teyba Erkesso of Ethiopia,
winners of the 2010 Boston Marathon
And in Jamaica for instance, there is an entire culture around the Sprinter, with a fabulous infrastructure set up for the same effect.winners of the 2010 Boston Marathon
Usain Bolt on the way to 9.58, 100m
Talent? Well ya maybe whatever that is, but what's unequivocable is the hours - and they're not countless; they're countable: there are thousands - that go into making each champ a champ. For every population where we might be tempted to say "that person is "gifted"" or it's in their genes, we miss the greater reality that above and beyond anything else, as Colvin shows from Ericcson, and as Syed's reviews of genetic research shows, it's practice - and tons of it - that makes perfect.
To get to that practice, however, as Gladwell's reviews of the sociology literature and interviews with these researchers show, it's also the opportunities to get those reps - right place, time, affluence, birth, connexions - that play a substantial role in the making of the exceptional.
We love to believe that we make our own opportunities; we hate to think of them as constrained by something as arbitrary as chance of a birthdate. And while perhaps nothing's impossible the research shows that far more relevant than talent is the complex of luck with the graft of deliberate practice.
Now to go do some of that graft with the math books...blick. And i guess that blick feeling is exactly right for success. Love your blick. Tweet Follow @begin2dig
PDF
Sunday, February 20, 2011
Rehab Strength with FOCUSED Eccentrics (and Fat Gripz)
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Lower loads and higher reps can rebuild strength. Doing those loads with (a) focus on quality eccentrics (b) tempo and (c) a simple grip element like Fat Gripz seems to help accelerate recovery.
I should say also that i've had fat gripz in my bag for awhile. Simple Strength Monk of the North Rannoch Donald first brought them to my attention, and lots of folks testify to their awesomeness, so i've been waiting till i could find a b2d angle for 'em for those of us who mayn't be using the Big Bars all the time. And i think i have. Here's what i've found.
Background
(Just skip this section if you want to get to the How To, below) Some of you may be aware i tweaked my shoulder awhile ago which rather put my usual shoulder activities, like single or double kettlebell work, out of action. Quel Drag. Even pull ups were not such the Happy Place. Finally, though, my shoulder's been feeling ready to explore some load. So i've been coming back into Pavel's Return of the Kettlebell - a lovely protocol for double kettlebell work.
Of course i'm having to swallow that the place i'm starting from is further behind where i was at just over a year ago now, when i'd finished up 6 months of RTK with the RKC II certification in San Jose. Happy times.
Gently Gently
One of the things i enjoyed doing the first time through RTK was based on a combination of suggestions
from coach Roland Fisher and Chad Waterbury's Huge in a Hurry
. It's the idea of tempo to stimulate hypertrophy. To reiterate Roland's version of the hypertrophy protocol:
I've written abit the value of tempo beyond hypertrophy before, too: tempo stimulates different muscle patterns. Lighter let's one go faster, too. Speed is important even for big lifts. To know speed we must practice speed. Etc etc.
Lower Loads with Higher Volume not only give speed, but build strength. I've written about this going light to get heavy (inspired by Asha Wagner's conquering the Beast Challenge); dan john talks about this approach, and preaches it as part of Pavel's even easier strength (40 days of low load AND low volume, done every day).
The When
Right now, as said, i'm working on Pavel's RTK protocol which means being pretty humble with my strength work limitations on bringing back my left shoulder. So the low load work i'm describing is as an arm + light shoulder finisher. I have *not* done the following as a stand alone routine.
A little more Background
Originally when i ran this finisher post RTK, i'd just grab a couple of powerblocks, and do sets of biceps curls, overhead triceps curls, and shoulder raises. The ritual was just to keep up a crisp tempo, dropping the load about five pounds each set to keep the tempo. I wasn't too focused on anything other than getting the weight up quickly, and keeping the tempo; quitting the set if the tempo dropped before i got to the goal number.
And then, Something happened: well two things happened. First
on the overhead triceps curls, i was finding that my usual load for the left side, just couldn't happen at speed with good form. Bummer. How go that much lighter and still get work? Second: i found my eccentric. Somehow - and this may sound like "duh" to many of you - i started contracting on the eccentric. And found "the money" - at least for me.
Focused Eccentrics
What i mean is, that, while keeping the tempo of the speed up especially for the curl in, rather than just rushing the arms down (overspeed the eccentric, as it were), i focused on keeping on a contraction while going into what feels like more of a forced eccentric. And my GOSH that's WORK. oh wow. IT's even work *without* load - it's like turning isometrics into movement.
Now, "focused eccentrics" may be just basic to some of you, but i have to say, i haven't come across work that has said focus on holding the contraction in the eccentic. I have heard about "lower slowly" - you know, rip the bar up fast, but slow it down coming down.
I've done all that. Lots of us have played with that. But that slow lowering - for me anyway - has never resulted in the same effect or feeling as visualizing the muscle and focusing on *it* staying contracted and feeling that contraction throughout the lowering of the weigth - and certainly not when doing this at any kind of speed/tempo. In other words, rather than thinking "keep the bar going down for a three count" it's "feel the biceps contract at the top and keep that feeling while prying the joint open - fast - but keep the muscle ON for the whole movement" For me the mental focus has had a really intereting effect.
And just to put the icing on the cake: adding fat gripz to the lighter load means working the grip - working the extensors in the arm, the brachioradialis, it's wild - really, you can get fried with just some focus. Here's how...
The How To: Focused Eccentrics and Fat Gripz
Remember, i'm doing the following AFTER i've done a whole workout of double kettlebell presses, squats and deadlifts. So my grip's been working and so have my arms. And i just want to get a little bit more.
The fat gripz ensure that *while gripping* which is a flexor movement, we can't close our hands in such a small grip, so with the fingers open a bit more, we're actually drawing on the extensors, the antagonist muscles to the flexors (same as triceps are antagonists to biceps).
This wider grip work offers, one might be tempted to say, a more balanced approach to grip work since it hits agonist/antagonist at the same time (if not exactly to the same degree - it's still a work out), and that's a Good Thing - especially is one does a lot of typing/knowledge work stuff during the day, too.
DO Try this at Home
If y'all want to try this experiment for yourself,
And as said, if you like this movement, and want to make it even sweeter, git yourself some Fat Gripz, and take your whole arm/shoulder to the next level.
Summary: Enhanced Muscle Activation/Strength from FOCUSED Extension - with Fat Gripz can be achieved with tempo, low loads and some volume. That focused eccentric CONRTACTION into extension is the money. Add the fat gripz, seems pretty golden. Visualize the muscle holding the contration while extending.
Please let me know if you give either the focused eccentric or focused eccentric + fat gripz a try and what you find.
Related:
I should say also that i've had fat gripz in my bag for awhile. Simple Strength Monk of the North Rannoch Donald first brought them to my attention, and lots of folks testify to their awesomeness, so i've been waiting till i could find a b2d angle for 'em for those of us who mayn't be using the Big Bars all the time. And i think i have. Here's what i've found.
Background
Of course i'm having to swallow that the place i'm starting from is further behind where i was at just over a year ago now, when i'd finished up 6 months of RTK with the RKC II certification in San Jose. Happy times.
Gently Gently
One of the things i enjoyed doing the first time through RTK was based on a combination of suggestions
from coach Roland Fisher and Chad Waterbury's Huge in a Hurry. It's the idea of tempo to stimulate hypertrophy. To reiterate Roland's version of the hypertrophy protocol:- go for loads that allow 20 reps per set
- keep the tempo the same
- drop the load each set as necessary to keep the tempo
- keep going till down to about nil load.
I've written abit the value of tempo beyond hypertrophy before, too: tempo stimulates different muscle patterns. Lighter let's one go faster, too. Speed is important even for big lifts. To know speed we must practice speed. Etc etc.Lower Loads with Higher Volume not only give speed, but build strength. I've written about this going light to get heavy (inspired by Asha Wagner's conquering the Beast Challenge); dan john talks about this approach, and preaches it as part of Pavel's even easier strength (40 days of low load AND low volume, done every day).
The When
Right now, as said, i'm working on Pavel's RTK protocol which means being pretty humble with my strength work limitations on bringing back my left shoulder. So the low load work i'm describing is as an arm + light shoulder finisher. I have *not* done the following as a stand alone routine.
A little more Background
Originally when i ran this finisher post RTK, i'd just grab a couple of powerblocks, and do sets of biceps curls, overhead triceps curls, and shoulder raises. The ritual was just to keep up a crisp tempo, dropping the load about five pounds each set to keep the tempo. I wasn't too focused on anything other than getting the weight up quickly, and keeping the tempo; quitting the set if the tempo dropped before i got to the goal number.
And then, Something happened: well two things happened. First
on the overhead triceps curls, i was finding that my usual load for the left side, just couldn't happen at speed with good form. Bummer. How go that much lighter and still get work? Second: i found my eccentric. Somehow - and this may sound like "duh" to many of you - i started contracting on the eccentric. And found "the money" - at least for me.
Focused Eccentrics
What i mean is, that, while keeping the tempo of the speed up especially for the curl in, rather than just rushing the arms down (overspeed the eccentric, as it were), i focused on keeping on a contraction while going into what feels like more of a forced eccentric. And my GOSH that's WORK. oh wow. IT's even work *without* load - it's like turning isometrics into movement.
Now, "focused eccentrics" may be just basic to some of you, but i have to say, i haven't come across work that has said focus on holding the contraction in the eccentic. I have heard about "lower slowly" - you know, rip the bar up fast, but slow it down coming down.
I've done all that. Lots of us have played with that. But that slow lowering - for me anyway - has never resulted in the same effect or feeling as visualizing the muscle and focusing on *it* staying contracted and feeling that contraction throughout the lowering of the weigth - and certainly not when doing this at any kind of speed/tempo. In other words, rather than thinking "keep the bar going down for a three count" it's "feel the biceps contract at the top and keep that feeling while prying the joint open - fast - but keep the muscle ON for the whole movement" For me the mental focus has had a really intereting effect.
And just to put the icing on the cake: adding fat gripz to the lighter load means working the grip - working the extensors in the arm, the brachioradialis, it's wild - really, you can get fried with just some focus. Here's how...
The How To: Focused Eccentrics and Fat Gripz
Remember, i'm doing the following AFTER i've done a whole workout of double kettlebell presses, squats and deadlifts. So my grip's been working and so have my arms. And i just want to get a little bit more.
 |
| humble 5lb dumbbell made Mean Machine with Fat Gripz sleeve and Focused Eccentric |
- I start with a weight where i can do 20 reps at a pretty good clip and maintain that tempo throughout the set.
- I squeeze the contraction of the agonist muscle at the top
- NEW BIT: hold that contraction while pulling down the load - so pulling against myself is what it feels like. Mentally, i'm focusing on feeling that muscle contraction through the whole eccentric. So let's just call these "focused eccentrics."
- Drop the load whenever i can't complete the 20 at that pace. For me that's just about each set i'm dropping five pounds.
- Fat GRIPZ. When i'm down to five pounds - where i have a pair of five pound db's, i have the fat gripz on these (pictured) - makes 'em look a little more serious, eh? Here's the fun part: just try keeping that contraction in the eccentric with the fat gripz on the five (or whatever load you'd like for your light 'bell(s).
 |
| Extensor Muscles in the forearm. Get your Fat Gripz on. |
The fat gripz ensure that *while gripping* which is a flexor movement, we can't close our hands in such a small grip, so with the fingers open a bit more, we're actually drawing on the extensors, the antagonist muscles to the flexors (same as triceps are antagonists to biceps).
This wider grip work offers, one might be tempted to say, a more balanced approach to grip work since it hits agonist/antagonist at the same time (if not exactly to the same degree - it's still a work out), and that's a Good Thing - especially is one does a lot of typing/knowledge work stuff during the day, too.
DO Try this at Home
If y'all want to try this experiment for yourself,
- grab a pair of dumbells that lets you do 20 reps - and just about only 20 perfect reps - at a nice tempo.
- At the top of the rep (in the curl), do what strength coaches have recommended for ages: give a squeeze - just don't let go of the squeeze as you extend your arm: keep the squeeze on during the eccentric contraction of the muscle (while the arm is extending).
And as said, if you like this movement, and want to make it even sweeter, git yourself some Fat Gripz, and take your whole arm/shoulder to the next level.
Summary: Enhanced Muscle Activation/Strength from FOCUSED Extension - with Fat Gripz can be achieved with tempo, low loads and some volume. That focused eccentric CONRTACTION into extension is the money. Add the fat gripz, seems pretty golden. Visualize the muscle holding the contration while extending.
Pump Bonus? Ok i confess: i also measured my arms before and after doing a few of these sets. For those folks who like the Pump (overviewed here), i was not displeased with the effect. If fact i was kinda surprised on the difference between (a) first focused eccentric vs just tempo and (b) focused eccentric + fat gripz vs focused eccentric alone. In other words: bigger with focused eccentric; even bigger with fat gripz + focused eccentric.
Why FG's? I'm also happy to recommend Fat Gripz because in my experience of the company, they really care about customer satisfaction. As in, they will work to make sure you are satisfied with service and product. For folks in the UK, nice thingtoo? they have distributors here, so no outrageous markup on shipping.
Please let me know if you give either the focused eccentric or focused eccentric + fat gripz a try and what you find.
Related:
- the fine art of the nudge: more with less
- Pressing Matters: a wee chat with Dan John
- Fatigue Testing
- Occlusion and Hypertrophy: what we know
- Should i do this next rep?
Saturday, February 12, 2011
Body Weight Work with Dennis Frisch Part II - sample bw program
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Welcome to Part II of the b2d interview with physical culturist and trainer Dennis Frisch of Denmark. In Part 1, Dennis talked about not only what draws him to bodyweight work, but why/how this approach has become his main training program. Dennis also offered some insights into getting started thinking about a bodyweight approach. Two of the things from that interview that struck me is that bodyweight work is skills based, and that one give themselves time (months and years) to develop that skills base.
In this post, Dennis covers three things: a sample bodyweight program, a way to think about developing a one arm push up, and a few additional bodyweight resources. Enjoy.
Dennis, in the last segment, you mentioned that you use bands [eg like iron woodies ]with your bodyweight work. Could you say a little more about that?
The One Arm Push Up
The Dennis Frisch Tao in Movement
Any gals starting a one arm push up quest? please post below, too. How's it going? whatcha been doing?
Also Dennis says as he gets some time, he'll try to get some vids done - as he does, we'll post 'em here.
best
mc
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Welcome to Part II of the b2d interview with physical culturist and trainer Dennis Frisch of Denmark. In Part 1, Dennis talked about not only what draws him to bodyweight work, but why/how this approach has become his main training program. Dennis also offered some insights into getting started thinking about a bodyweight approach. Two of the things from that interview that struck me is that bodyweight work is skills based, and that one give themselves time (months and years) to develop that skills base.In this post, Dennis covers three things: a sample bodyweight program, a way to think about developing a one arm push up, and a few additional bodyweight resources. Enjoy.
I use bands in a variety of different ways.Super cool. So let's get applied. Let's kick it up to what folks are keen to get into: what are ways that folks might get started with a bodyweight program?
1) Loading mobility exercises, esp. end range of motion [as per the 9S strength & suppleness course (discussed here) -mc]
2) Horisontal loading for compound exercises; think of peg board [a z-health i-phase drill - mc], judo throws, punches etc.
3) Taking load of bodyweight exercises, i.e. one arm chins, levers etc.
4) Adding load to bodyweight exercises like pushups, dips, squats etc. - This is really cool since they add the most load in the strongest ranges of motion
5) Loading micro-exercises, i.e. when I am working on the one arm chin I will take a very light band a use it to load different positions of the motion. This is a nice low threat way to practice challenging exercises.
A "program" might be something like this:
2-3 times a week skill/strength training:
Pressing movements:
5-6 sets of handstands (hold for time or do reps)
5-6 sets of pushups (choose a variant that is challenging but doable)
Pullup movements:
5-6 sets of pullups
Leg movements:
5-6 sets of squats
5-6 sets of lunges
Wave the load so that you familiarize yourself with heavy singles and doubles as well as strength-endurance work in the range of 15-25 repetitions.
+
2-3 times a week "energy system development" aka intervals.
Combine this with a dynamic mobility protocol and you are good to go [one might think about Z-Health Neural Warm Up 1 (discussed here) as such a mobility protocol -mc ] Use it as a morning recharge, a warm up or just practice your mobility through the day.Are there other resources in bodyweight skills you'd recommend?
So bottom line I guess is that bodyweight skill/strength building doesn't have to be all that different from regular strength training.
Another approach would be a less "digital" program, where you choose your skills and play with them as often as you like for as long as you like. From a motivational/habitual standpoint that is probably a more challenging approach, but when you are used to training daily and you enjoy playing with movement it gets addictive.
www.beastskills.com Awesome site with tons of progressions
www.drillsandskills.com Cool inspiration for different skill sets
www.rosstraining.com Really cool blog and forum with tons of ideas on how to train using a minimalist/garage gym approach
The One Arm Push Up
With the one arm push up a lot has to do with the set up. Placing your hand in the right spot and getting the right amount of stability.
Progressions would be to simply practice a one handed plank isometrically.
Then simply practicing lowering yourself slowly to the ground.
Then practice isometric holds throughout the range of motion. Then maybe try and do push ups in a limited range, start by unlocking and unlocking your elbow, and expanding from there.
I find that the one arm push up is more of a kinaesthetic exercise than merely adding as much tension as possible.
The Dennis Frisch Tao in Movement
Thank you again, Dennis, for taking the time and sharing the knowledge.As with the behavioural side of training, I generally try to help people realize that what they are really after isn't a skill, feat or attribute as much as it is a way of life.
So maybe you want to loose a few pounds or learn how to do a hand stand, but why do you want those things and how will it affect how you and others perceive you. Spending a couple of weeks to learn a cool skill is great and fun, it just makes it a lot more fun and worthwhile if that goal is just the beginning of something much greater; a life long exploration of physical living.
I have two poorly updated websites:www.dennisfrisch.com
www.dennisfrisch.dk
And you can contact me for private coaching, seminars and the like using dennisfrisch at gmail.com.
Any gals starting a one arm push up quest? please post below, too. How's it going? whatcha been doing?
Also Dennis says as he gets some time, he'll try to get some vids done - as he does, we'll post 'em here.
best
mc
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Sunday, February 6, 2011
Body weight training - with expert trainer Dennis Frisch, Pt I
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Dennis Frisch is a lovely person. On top of that he moves very well, is very strong, moves with grace between walking on his hands to moving through z-health mobility drills, to shinnying up a rope. Throwing kettlebells and pulling deadlifts is also in the repertoire. But what inspires me about Dennis? Besides the fact that he's super nice and coaches with ease? I'm 5.6. Dennis shows me that even someone my size (relatively speaking) can be great.
I've encountered Dennis at various fitness workshops, certs over the past few years, and i'm always impressed by the quality he brings to the occasion and how inspiring just his goofing around is at breaks: he'll be leaping between pull up bars or hand balancing or grabbing a barbell, just moving moving moving. During a z session in denmark, eric cobb asked him to strike the pose: take up a z I phase drill in lunge position. It was text book. I'd also learned he's helped gals master the one arm push up - more on that in part 2. Indeed, my sense is that Dennis has been moving increasingly into bodyweight work not just as a workout but as a way of life. Bodyweight work is something i've been wanting to understand more lately, too. So thought you might enjoy connecting with the expert about why bodyweight.
Dennis, what built the body you have?
Where would you suggest someone begin who may already have some experience of working out with weights or some sport, but where to begin thinking about bodyweight work? what do you mean by this concept?
What's your own background in this kind of work, Dennis - do you have any formal gymnastics or parkour training?
That's really cool, Dennis. What's a typical day for you, training wise?
Typical day!
Thanks Dennis
Next post, we'll check in with a sample bodyweight program from Dennis. If you want to connect with Dennis, here's some pointers
www.dennisfrisch.com
www.dennisfrisch.dk
See you in part 2 for program ideas.
Related Posts:
Tweet Follow @begin2dig
I've encountered Dennis at various fitness workshops, certs over the past few years, and i'm always impressed by the quality he brings to the occasion and how inspiring just his goofing around is at breaks: he'll be leaping between pull up bars or hand balancing or grabbing a barbell, just moving moving moving. During a z session in denmark, eric cobb asked him to strike the pose: take up a z I phase drill in lunge position. It was text book. I'd also learned he's helped gals master the one arm push up - more on that in part 2. Indeed, my sense is that Dennis has been moving increasingly into bodyweight work not just as a workout but as a way of life. Bodyweight work is something i've been wanting to understand more lately, too. So thought you might enjoy connecting with the expert about why bodyweight.
Well, a combination of bodyweight training and weight training. I have done both extensively for the past 10 years. I have focused more or less on one or the other from time to time. As I have progressed through my training I have found that I can rely more or less exclusively on bodyweight stuff combined with band work. I lift kettlebells, dumbbells and barbells from time to time, mostly to work on technique or check up on strength levels.
Where would you suggest someone begin who may already have some experience of working out with weights or some sport, but where to begin thinking about bodyweight work? what do you mean by this concept?
That depends entirely on their definition of bodyweight work an what their goals is more specifically. I like to think of bodyweight training as fundamental movement skills, meaning being able to climb over something, support my bodyweight on my hands, push myself of the ground, roll/tumble.Why has bodyweight become such a key part of your practice?
Most people would do well to familiarize themselves with basic variations of push ups, squats, hand stands, crawling, dips, rolls etc. When you are comfortable with these skills, bearing in mind that it may take several years, you can slowly progress to exercises like muscle ups, walking on you hands, hand stand push ups, jumping etc. Exploring activities like gymnastics, parkour, wrestling and other martial arts will also quickly expose you to these exercises.
Since I was a kid I've loved climbing, tumbling and the like so I've always had a talent for things like pullups and push ups. When I joined the army I was exposed to these exercises as part of the training and being good at them sort of motivated me to do them even more, so I climbed ropes and the like for the fun of it.
These days it is simply very convenient to always be able to train, since I have a family including two small kids, studies and a business to run. Being able to train on a few square feet without equipment makes it easier to get the training sessions into an otherwise busy schedule. From the logic that a good training session done is better than a perfect one not done, I would of course do better with access to a well equipped gym every session.
To sum it up: I like how it feels and it is a very convenient way for me to stay in shape.
Depending on the previous experience of trainee my suggestion is to find a skill that one finds fascinating/enjoyable and begin from there. Do you think hand stands are cool? Great, now look up resources on how to get there.
Try this one on for size: Start at a level you find doable but challenging. It might be a hand stand supported against a wall, or a pike pushup Like this. Practice this as often as you can and enjoy. Slowly you will be able to go towards more advanced variations. I believe it to be important to practice with the intent of owning/mastering the skill, thus not rushing towards it's completion, rather taking the time to polish each level. For me that is probably the hardest part. In the end it saves you tons of trouble, even if it requires practicing patience.
What's your own background in this kind of work, Dennis - do you have any formal gymnastics or parkour training?
I dont have a gymnastics background outside of two courses at the Institute of sports and exercise science. I have participated in some parkour courses and have the mobility/bodyweight training courses from Steve Maxwell and Scott Sonnon. So I am not completely self taught.
That's really cool, Dennis. What's a typical day for you, training wise?
Typical day!
Since I have my hands full with school, work and family these days I tend to fit some movement in where I can.
At the office we have a pullup rack, floor space and a load of bands, so I usually take short movement breaks, where I do some rolls, practice my hand stands and work on muscle ups. Outside the office there is a patch of grass 50m long, so on a really good day I will do a 20 minute sprint/agility session before the work starts.
I have had reasonable success with getting up before my family wakes up, getting a good session in. I like working out early, especially outside. Right now the challenge is that my oldest son will wake up if I get out of bed and will want to come along, which doesn't really work out that well.
Ideally I would love to train some sort of gymnastics and/or martial arts every day, preferably under the supervision of a coach or even just with a regular group or partner, but these days my priorities are family and school. My perspective on training is a lot more long term than just the next 6 months. I've found that I am a lot more satisfied with my training if I visualize myself training as 60+ man, being able to wrestle, run, climb and play with my two grown sons. That means to me that the most important thing is to keep moving, avoiding serious injury and keep refining and learning skills. To build on that is a newly engraining habit of training/practicing every day.
Thanks Dennis
Next post, we'll check in with a sample bodyweight program from Dennis. If you want to connect with Dennis, here's some pointers
www.dennisfrisch.com
www.dennisfrisch.dk
See you in part 2 for program ideas.
Related Posts:
Tweet Follow @begin2dig
Saturday, January 29, 2011
Crucial Conversations: ways to pre-vent for productive engagement
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Do you know how to have a good productive conversation? If everything is skills based, there are skills, it seems, here too. After all, have you ever had someone say something to you - live or virtually - that just set you off? was condescending, presumptuous, otherwise inappropriate, AND you had to follow up with this person for some shared purpose - work or otherwise - and how HOW were you going to get around this slight, their stupidity and focus on the real heart of the matter, when all you want to do is focus on the noise?
If you are at all like me, for instance, you'd like the convo to be about them recognizing the horrible error of their ways, their failure to recognize my true value and worth, celebrate it fully and to prove that they will stop being such inferior gits - at least in their interactions with me. And that of course is before the real matter of the conversation (yes, i'd like the vegetarian option, thank you) gets under way.
OOO. The noise around some conversations - it's so fraught with the subtle subverting agendas of the mediocre - sometimes - or the very ocre who have their own stuff. We all have our own stuff. We of course do not use it as a bludgeon in any of our dealings.
Skills and Practice for Conversations. But lets say that we do occasionally either have to engage with folks whose discourse style triggers us and where we fear we may lose it and not stay on the true mission of why we need to have a Crucial Conversation with them.
THis how to get on track and stay on track is the subject of a jointly authored book and web site and 
consulting service called Crucial Conversations
. In my world i did the audio book version
of the text.
It's worth checking out - it's certainly an easy, fast and very reasonable listen to a suite of techniques that are clear to practice - especially when one learns to make the time to plan for a crucial conversation.
Fact from Personal Fiction: the safe place to begin. One of the key techniques i like from the text, and probably use the most, is to separate out and start with facts rather than our personal stories about the facts. I like this because i know i take data from a previous email of conversation and can so easily make a villain of the other by selective reading. As a challenge, i'll now ask myself to invent the most positive story by way of contrast. Sometimes there's still an issue - the person is still a douche and at some point, that may actually become a show stopper - or another Crucial Conversation.
But until then: is the Crucial Conversation actually to be about that person's style, or can it be about the Matter at Hand? Indeed, there are heuristics too, in the book, to help figure out what the right conversation is for the Crucial Conversation. And if it is to be about the Matter in Hand, what strategies can we use to help us get there? And sometimes, just as important, stay there? Hence, starting with facts about the matter at hand.
The advantage of starting from facts is that it's easy to check in with the other person to see if this is what they think the conversation is supposed to be about too: yes we want to meet about a project deliverable; yes we agree we need to hire new staff and yes we agree they need to start in a week; we need to figure out the best skill set, and the question does seem to be between X or Y being primary.
Other Strategies. The above is just one of my oft practiced strategies. I like it because it helps me stay away from overly personalizing stuff - even when things can feel very personal. It also helps me try to stay more respectful: if we can stay on task, then i can better stay open to the disussion rather than rolling back to my particular story or stories about the person or people invovled. There's an overview article of some of the strategies here called Crucial Conversations: where are you stuck? - for more.
Related Strategies. I find CC to be pretty synergistic with a few other practices i've overviewed before. One is the Sedona Method
that is, i find, a practice of being able to get some distance from one'self to identify whether what i'm doing is what i want to be doing, or what i'm reacting to some sense of needing to do (that first overview is called "getting rid of crap around goals").
The other place CC seems to fit in is the wee book How to Make anyone Like You in 90 seconds or less
. It sounds so corny and manipulative, but really it's about being able to put oneself in a position to hear an Other and engage with an Other. For a total myers-briggs introvert like myself, this is a goldmine of skills.
THe overview article, for more detail, is here.
I'd also suggest CC fits in with some motivation/coaching work quite well too.
All the best in your Crucial Conversation Practice. Tweet Follow @begin2dig
OOO. The noise around some conversations - it's so fraught with the subtle subverting agendas of the mediocre - sometimes - or the very ocre who have their own stuff. We all have our own stuff. We of course do not use it as a bludgeon in any of our dealings.
Skills and Practice for Conversations. But lets say that we do occasionally either have to engage with folks whose discourse style triggers us and where we fear we may lose it and not stay on the true mission of why we need to have a Crucial Conversation with them.
THis how to get on track and stay on track is the subject of a jointly authored book and web site and consulting service called Crucial Conversations. In my world i did the audio book version of the text.It's worth checking out - it's certainly an easy, fast and very reasonable listen to a suite of techniques that are clear to practice - especially when one learns to make the time to plan for a crucial conversation.
Fact from Personal Fiction: the safe place to begin. One of the key techniques i like from the text, and probably use the most, is to separate out and start with facts rather than our personal stories about the facts. I like this because i know i take data from a previous email of conversation and can so easily make a villain of the other by selective reading. As a challenge, i'll now ask myself to invent the most positive story by way of contrast. Sometimes there's still an issue - the person is still a douche and at some point, that may actually become a show stopper - or another Crucial Conversation.
But until then: is the Crucial Conversation actually to be about that person's style, or can it be about the Matter at Hand? Indeed, there are heuristics too, in the book, to help figure out what the right conversation is for the Crucial Conversation. And if it is to be about the Matter in Hand, what strategies can we use to help us get there? And sometimes, just as important, stay there? Hence, starting with facts about the matter at hand.
The advantage of starting from facts is that it's easy to check in with the other person to see if this is what they think the conversation is supposed to be about too: yes we want to meet about a project deliverable; yes we agree we need to hire new staff and yes we agree they need to start in a week; we need to figure out the best skill set, and the question does seem to be between X or Y being primary.
Other Strategies. The above is just one of my oft practiced strategies. I like it because it helps me stay away from overly personalizing stuff - even when things can feel very personal. It also helps me try to stay more respectful: if we can stay on task, then i can better stay open to the disussion rather than rolling back to my particular story or stories about the person or people invovled. There's an overview article of some of the strategies here called Crucial Conversations: where are you stuck? - for more.
Related Strategies. I find CC to be pretty synergistic with a few other practices i've overviewed before. One is the Sedona Method
that is, i find, a practice of being able to get some distance from one'self to identify whether what i'm doing is what i want to be doing, or what i'm reacting to some sense of needing to do (that first overview is called "getting rid of crap around goals").The other place CC seems to fit in is the wee book How to Make anyone Like You in 90 seconds or less. It sounds so corny and manipulative, but really it's about being able to put oneself in a position to hear an Other and engage with an Other. For a total myers-briggs introvert like myself, this is a goldmine of skills.THe overview article, for more detail, is here.
I'd also suggest CC fits in with some motivation/coaching work quite well too.
All the best in your Crucial Conversation Practice. Tweet Follow @begin2dig
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